Psychology of Entertainment

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affective
audience engagement
Category=JBCT
Category=JM
Category=W
cognitive processing
Deutschland Sucht Den Superstar
Disinhibition Subscale
disposition
emotional response theory
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
excitation
experience
exposure
ffx
FFX LE139-01
FFX P2
Fitness Indicators
graduate level media studies
Hedonic Valence
High Sensation Seekers
Homo Sapiens Sapiens
Horror Movies
Knowledge Acquisition
le139-21
Low SS
media effects research
media psychology
Mood Management
moodmanagement
Moodmanagement Theory
Parasocial Interaction
Parasocial Relationships
psychological mechanisms in entertainment
Purification Pole
Runaway Sexual Selection
selective
Selective Exposure
Sexual Selection
SS
SSS
Symbolic Catharsis
theory
Tv Character
Vice Versa
Zuckerman Kuhlman Personality Questionnaire

Product details

  • ISBN 9780805852387
  • Weight: 844g
  • Dimensions: 178 x 254mm
  • Publication Date: 24 Feb 2006
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Paperback
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As entertainment becomes a trillion-dollar-a-year industry worldwide, as our modern era increasingly lives up to its label of the "entertainment age," and as economists begin to recognize that entertainment has become the driving force of the new world economy, it is safe to say that scholars are beginning to take entertainment seriously. The scholarly spin on entertainment has been manifested in traditional ways, as well as innovative ones. Representing the current state of theory and research, Psychology of Entertainment promises to be the most comprehensive and up-to-date volume on entertainment. It serves to define the new area of study and provides a theoretical spin for future work in the area.

Divided into three basic parts, this book:
*addresses the fundamental mechanisms and processes involved in orienting to and selecting entertainment fare, as well as receiving and processing it;
*explores the mechanisms and processes by which we are entertained by the media messages we select and receive; and
*provides an opportunity for the application of well-established as well as emerging psychological and psychobiological theories to be applied to the study of entertainment in ways that seldom have been utilized previously.

Psychology of Entertainment will appeal to scholars, researchers, and graduate students in media studies and mass communication, psychology, marketing, and other areas contributing to the entertainment studies area.

Jennings Bryant, Peter Vorderer