Psychology of the Imagination

Regular price €47.99
A01=Jean-Paul Sartre
Affective Analogue
Affective Consciousness
Analogical Substitute
Author_Jean-Paul Sartre
Category=DNL
Category=QDHR5
Charles VIII
consciousness
consciousness studies
Eidetic Intuition
Empty Consciousness
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Essential Poverty
existential freedom theory
Husserlian philosophy
hypnagogic
Hypnagogic Image
Hypnagogic Vision
image
imaginative
Imaginative Consciousness
Imaginative Knowledge
impressions
kinaesthetic
Kinaesthetic Impressions
Kinaesthetic Sensations
knowledge
Mental Automatism
mental representation
Morbid Dreamer
non-reflective
Non-reflective Consciousness
Non-reflective Thought
Non-thetic Consciousness
object
perception versus imagination
phenomenological analysis
phenomenology of mental imagery
Reflective Consciousness
Seventh Symphony
Spatial Determinations
Symbolic Schema
Synthetic Totality
unreal
Unreal Object
Vice Versa

Product details

  • ISBN 9780415119542
  • Weight: 362g
  • Dimensions: 138 x 216mm
  • Publication Date: 11 May 1972
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Psychology of the Imagination was originally published in France in 1940 under the title of L'Imaginaire. It was specifically designed as an essay in phenomenology and it constitutes the first attempts to introduce Husserl's work into French culture,and from there to the English speaking world. Published three years before Being and Nothingness , it reveals Sartre's first extended examination of such concepts as nothingness and freedom, both here derived from the consciousness's ability to imagine objects not only as they are but as they are not, and to imagine objects not in existence. According to Sartre, an object can be given to us in three ways: by perceiving it, by having an idea of it, and by imagining it (having an image of it). Although we may try to respond to the image in the same way as we would to the object itself, the fact remains that an image, however vivid, presents its object as not being. It was in The Psychology of Imagination that Sartre first brought together his new enthusiasm for phenomenology with the analysis of the preconditions for human freedom which was to figure so prominently in his later philosophical works.