Psychophysical Acting

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A01=Phillip B. Zarrilli
actor training methods
Actor's Bodymind
Actor's Dramaturgy
Actor's Performance Score
actors
Actor’s Bodymind
Actor’s Dramaturgy
Actor’s Performance Score
Asian martial arts
Author_Phillip B. Zarrilli
awareness
Back Awareness
Beckett Project
bodymind
Bodymind Awareness
Butoh
Category=ATDC
dance
Dense
drama
DVD
embodiment theory
enactive approach to acting
entire
Entire Bodymind
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intercultural performance
kalarippayattu techniques
kathakali
Kathakali Actor
Kathakali Dance Drama
Konstantin Stanislavski
Lower Abdomen
Lower Dantian
martial
Martial Arts
Ohio Impromptu
Phillip Zarrilli
Psychophysical Acting
Psychophysical approach
Psychophysical Score
Psychophysical State
Psychophysical Training
Residual Awareness
sensory
Sensory Awareness
sensory integration exercises
training
White Space
yoga for performers
Young Men

Product details

  • ISBN 9780415334570
  • Weight: 725g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Sep 2008
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Psychophysical Acting is a direct and vital address to the demands of contemporary theatre on today’s actor. Drawing on over thirty years of intercultural experience, Phillip Zarrilli aims to equip actors with practical and conceptual tools with which to approach their work. Areas of focus include:

  • an historical overview of a psychophysical approach to acting from Stanislavski to the present
  • acting as an ‘energetics’ of performance, applied to a wide range of playwrights: Samuel Beckett, Martin Crimp, Sarah Kane, Kaite O’Reilly and Ota Shogo
  • a system of training though yoga and Asian martial arts that heightens sensory awareness, dynamic energy, and in which body and mind become one
  • practical application of training principles to improvisation exercises.

Psychophysical Acting is accompanied by Peter Hulton’s downloadable resources featuring exercises, production documentation, interviews, and reflection.

Phillip Zarrilli is internationally known for training actors in psychophysical process through Asian martial arts and yoga, and as a director/actor. He is the founding Artistic Director of The Llanarth Group based in West Wales, UK. He is also Professor of Performance Practice at Exeter University. His many publications include Acting Reconsidered (2002), Kathakali Dance-Drama (2000), and co-author of Theatre Histories: An Introduction (2006).

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