Public and Private Man in Shakespeare

Regular price €132.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=J. M. Gregson
Act Ii Scene
Act Iii
Author_J. M. Gregson
Category=DSG
Chronicle History Play
dilemma
Donne's Religious Verse
Donne’s Religious Verse
dramatic power in literature
Dreadful Summoners Grace
duality of human character
Elizabethan
Elizabethan drama analysis
Entire Masculinity
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ghost's Revelation
Ghost’s Revelation
Great Tragic Heroes
Kingship
kingship and morality
Machiavellian
Machiavellian influence
Machiavellian picture
Mad North North West
Mother's Sin
Mother’s Sin
Mrs Henry Wood
Othello Music
political philosophy
problem plays
Proper Moral Order
Prospero
psychological character study
psychological insight
Public and private man
Renaissance
Renaissance political theory
Richard III
Shakespeare
Shakespeare's Earliest Work
Shakespearean public private identity
Shakespeare’s Earliest Work
Skilled Conversion
Storm Scenes
Superb
Tarquin's Ravishing Strides
Tarquin’s Ravishing Strides
Theatre Marathon
Violated
White Head
Yond Marble Heaven
Young Men

Product details

  • ISBN 9780367684181
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 31 Mar 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

The potential duality of human character and its capacity for dissembling was a source of fascination to the Elizabethan dramatists. Where many of them used the Machiavellian picture to draw one fair-faced scheming villain after another, Shakespeare absorbed more deeply the problem of the tensions between the public and private face of man.

Originally published in 1983, this book examines the ways in which this psychological insight is developed and modified as a source of dramatic power throughout Shakespeare’s career. In the great sequence of history plays he examines the conflicting tensions of kingship and humanity, and the destructive potential of this dilemma is exploited to the full in the ‘problem plays’. In the last plays power and virtue seem altogether divorced: Prospero can retire to an old age at peace only at the abdication of all his power. This theme is central to the art of many dramatists, but in the context of Renaissance political philosophy it takes on an added resonance for Shakespeare.

J. M. Gregson

More from this author