Public Art and Museums in Cultural Districts

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A01=J. Lorente
Allen Memorial Art Museum
Antiquity
Art
art history research
Author_J. Lorente
Casa De Pilatos
Category=AGA
Category=GLZ
Centro De Arte
Charles III
Classical
Cortile Del Belvedere
Cultural
Curatorial
Districts
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Exterior
External
Germanisches National Museum
heritage policy analysis
History
J. Pedro Lorente
Jardin De
Jardin Du Luxembourg
Landmark
Lorente
Maeght Foundation
Museo De Arte
Museo Nacional Centro De Arte
Museo Nacional De Bellas Artes
Museology
museology theory
Museum Fridericianum
Museums
Niki De Saint Phalle
open air collections
Open Air Museums
outdoor museum curatorial practices
Outdoors
Outside
Piazza Della Signoria
Public
Roy Lichtenstein
Sculpture Garden
sculpture gardens
urban cultural heritage
Urbanism
Young Man

Product details

  • ISBN 9780815359579
  • Weight: 800g
  • Dimensions: 156 x 234mm
  • Publication Date: 22 Aug 2018
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
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Museums and public art have traditionally taken significantly different approaches to customer engagement, but throughout history they have also worked together in some urban contexts, notably as landmarks of so-called cultural districts. Public Art and Museums in Cultural Districts reviews their changing interactions in many different types of cities since the Enlightenment, or even before, going back to the etymological origins of museums and monuments in classical antiquity.

The type of historical enquiry presented within the volume is not intended as a total narrative, but the international study cases considered convey a global panorama of the shifting paradigms set in different periods by some cultural neighbourhoods and emulated worldwide. Blurring boundaries between art history, museology and urbanism, this critical account explores past tensions, achievements and failures, giving insightful consideration to present policies and pointing out reasonable recommendations for the future regarding public heritage. Presenting for the first time an insights into the role of collections of public art as landmarks of cultural districts, this book considers collections displayed outdoors from the double perspective of curatorial outreach and civic values.

This book will fill a gap in the existing museum studies literature, hitherto mainly focused on indoor collecting and curatorial policies, but increasingly more and more attentive to their outside context. As such, the book should be of great interest to academics, researchers and students working in the fields of art, heritage, museum studies and urban history. It should also be of value to professionals working in the museum and art sectors.

J. Pedro Lorente is Professor of Art History at the University of Saragossa, Spain

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