Public Women in British India

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1857
A01=Rimli Bhattacharya
actors
Actress Figure
actress professionalisation
Amrita Bazar Patrika
artist
Author_Rimli Bhattacharya
Bal Gandharva
Bengali Muslims
Bengali professional stage
Bengali Stage
Bengali Theatre
Binodini Dasi
British Army
British India
Calcutta
Category=ATD
Category=JBSF1
colonial performance history
education
empire
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
etchings
feminist historiography
Gaudiya Vaishnavism
gender
gendered politics of labour
Guru Shishya Relationship
India
Indian subcontinent
kantha
masculinity
Michael Madhusudan Dutt
Nati Binodini
nineteenth and early twentieth centuries
paintings
Parsi Theatre
patas
performance
performance practice
photographs
Proscenium Stage
Rabindranath Tagore's Ghare Baire
reform
regimental theatres
religion
same sex representation
Sangeet Natak
sketches
South Asian gender studies
Stage Actress
Star Theatre
Strange Meeting
Swadeshi Era
Syama Prasad Mookerjee
Tagore's Short Story
Tamil Nadu
Theatre
Theatre Hall
theatre labour dynamics
Theatre Magazines
Town Hall
travelling companies
urban cultural transformation
Vina Theatre
women on colonial Indian stage
woodcuts
Young Men

Product details

  • ISBN 9781138282551
  • Weight: 703g
  • Dimensions: 138 x 216mm
  • Publication Date: 15 May 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book foregrounds the subjectivity of ‘acting women’ amidst violent debates on femininity and education, livelihood and labour, sexuality and marriage. It looks at the emergence of the stage actress as an artist and an ideological construct at critical phases of performance practice in British India. The focus here is on Calcutta, considered the ‘second city of the Empire’ and a nodal point in global trade circuits.

Each chapter offers new ways of conceptualising the actress as a professional, a colonial subject, simultaneously the other and the model of the ‘new woman’. An underlying motif is the playing out of the idea of spiritual salvation, redemption and modernity. Analysing the dynamics behind stagecraft and spectacle, the study highlights the politics of demarcation and exclusion of social roles. It presents rich archival work from diverse sources, many translated for the first time.

This book makes a distinctive contribution in intertwining performance studies with literary history and art practices within a cross-cultural framework. Interdisciplinary and innovative, it will appeal to scholars and researchers in South Asian theatre and performance studies, history and gender studies.

Rimli Bhattacharya currently teaches at the Department of English, University of Delhi, India. She has trained in Comparative Literature at Jadavpur and Brown Universities and has been Visiting Professor at the University of Hawai’i at Manoa, the University of Pennsylvania and the Centre for Studies in Social Sciences, Calcutta. She has collaborated with artists and filmmakers on multimedia projects and has published on critical areas in gender and performance, children’s literature and primary education. Her corpus of classic translations from Bangla into English includes novels by Bibhutibhusan Bandyopadhyay and Rabindranath Tagore. She is the author of the key text Binodini Dasi: ‘My Story’ and ‘My Life as an Actress’ (1998) and The Dancing Poet: Rabindranath Tagore and Choreographies of Participation (forthcoming).

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