Publishing Contracts and the Post Negotiation Space

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A01=Katherine Day
academic study of publishing negotiations
Applicable Boxes
Author Editor Relationships
Author's Moral Rights
author-publisher relations
Author_Katherine Day
Black Box
Boilerplate Contract
book editors
Category=CBV
Category=JBCT
Category=KNTP1
Category=KNTP2
Cent Royalty
contract interpretation
Contract Negotiations
Contract Overview
creative industries
cultural sociology
Editorial Excellence
Editorial Input
eq_bestseller
eq_business-finance-law
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Full Term
legal frameworks in publishing
Literary Agent
Moral Rights
Number Boxes
Pecuniary Interests
Post Negotiation
Production Schedule
Publishing Contract
Publishing contracts
publishing law
Publishing Professionals
publishing studies
Relational Contract Theory
Reversion Clauses
Sanctioning Properties
Self-published Authors
Subsidiary Rights
Unpublished Authors
writers

Product details

  • ISBN 9781032373539
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 23 Mar 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Many writers dream of having their work published by a respected publishing house, but don’t always understand publishing contract terms – what they mean for the contracting parties and how they inform book-publishing practice. In turn, publishers struggle to satisfy authors’ creative expectations against the industry’s commercial demands. This book challenges our perceptions of these author–publisher power imbalances by recasting the publishing contract as a cultural artefact capable of adapting to the industry’s changing landscape. Based on a three-year study of publishing negotiations, Katherine Day reveals how relational contract theory provides possibilities for future negotiations in what she describes as a ‘post negotiation space’.

Drawing on the disciplines of cultural studies, law, publishing studies and cultural sociology, this book reveals a unique perspective from publishing professionals and authors within the post negotiation space, presenting the editor as a fundamental agent in the formation and application of publishing’s contractual terms.

Katherine Day is an academic and book editor with over 15 years of experience in the publishing industry. Her research interests include publishing and editorial practice, book audiences and reception, and publishing contracts.

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