Publishing the Postcolonial

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A01=Gail Low
African Writers Series
African Writing
Amos Tutuola
Anglophone Caribbean
Anglophone Caribbean Writers
Author_Gail Low
Ben Enwonwu
book history
Caribbean Voices
Caribbean Writers
Category=DSBH
Crowns Series
Du Sautoy
Educational Label
educational publishing series
Educational Sales
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Faber's Editing
Faber’s Editing
Hardback Publications
Heinemann Educational Books
literary canon formation
Mr Biswas
Mystic Masseur
national communities
Palm Wine Drinkard
postcolonial authorship in Britain
postwar British publishing
print capitalism
Soyinka's Plays
Soyinka’s Plays
Things Fall
Trade Edition
transnational literary circuit
transnational literary networks
Tutuola's Work
Tutuola’s Work
Walcott's Poetry
Walcott's Work
Walcott’s Poetry
Walcott’s Work
West Indian Writers

Product details

  • ISBN 9780415651202
  • Weight: 370g
  • Dimensions: 152 x 229mm
  • Publication Date: 11 Jul 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book explores how writers such as Amos Tutuola, George Lamming, Samuel Selvon, VS Naipaul, Chinua Achebe, Derek Walcott, Kamau Brathwaite, and Wole Soyinka came to be published in London in important educational series such as the Three Crown Series and African Writers Series. Low takes account of recent debates in the discipline of book history, especially issues that deal with social, cultural, and economic questions of authorship, publishing histories, canon formation, and the production, distribution and reception of texts in the literary market place. Searching publishing archives for readers reports, editorial correspondence, and interventions, this book represents a necessary exploration of postwar publishing contexts and the dissemination of texts from London that is crucial to literary histories of the postcolonial book. Taken together as a postwar generation, this cohort of now canonical writers helped "imagine" their respective national communities, yet their intellectual labors entered an elite transnational literary circuit, and correspondingly, were transformed into textual commodities by the economic, social, cultural, and institutional transactions that were part of an expanding print capitalism.

Gail Low teaches contemporary writing and publishing in English at the University of Dundee. She has co-edited A Black British Canon? and is the author of White Skins/Black Masks: Representation and Colonialism (Routledge, 1996).

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