Punchdrunk Encyclopaedia

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A01=Josephine Machon
archives
audience interaction research
Author_Josephine Machon
Big Chill
Category=ATD
Category=GBC
Clues
Cockatiel
Colin Marsh
Crash of the Elysium
creative process documentation
devised theatre methods
Dobbie
Drowned Man
Emergency Flare
Enrichment Project
Enrichment Team
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Exeter Canal
experimental dramaturgy
Faust
Felix Barrett
Follow
Future Practice
Grandfather Clock
Holding
immersive theatre companies
immersive theatre company analysis
Masked Shows
Moonslave
Neutral Mask
NYC
performance studies education
Pluto
Punchdrunk's narrative
Punchdrunk's philosophy
Red Death
Refocused
site-specific performance
Sleep Deprivation Experiment
Sleep No More
Transmedia Storytelling
Uncommercial Traveller
Wo
Workshop
Woyzeck
YouMeBumBumTrain

Product details

  • ISBN 9781138556799
  • Weight: 600g
  • Dimensions: 189 x 246mm
  • Publication Date: 19 Dec 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Punchdrunk Encyclopaedia is the definitive book on the company’s work to date, marking eighteen years of Punchdrunk’s existence. It provides the first full-scale, historical account of one of the world’s foremost immersive theatre companies, drawn from unrivalled access to the collective memory and archives of their core creative team.

The playful encyclopaedic format, much like a Punchdrunk masked show, invites readers to create their own journey through the ideas, aesthetics, contexts, and practices that underpin Punchdrunk’s work. Interjections from Felix Barrett, Stephen Dobbie, Maxine Doyle, Peter Higgin, Beatrice Minns, Colin Nightingale and Livi Vaughan, among others, fill out the picture with in-depth reflections.

Charting Punchdrunk’s rise from the fringe to the mainstream, this encyclopaedia records the founding principles and mission of the company, documenting its evolving creative process and operational structures. It has been compiled to be useful to scholars and students from a variety of backgrounds and disciplines, from secondary level through to doctoral research, and is intended for those with a fascination for theatre in general and immersive work in particular. Ultimately it is written for those who have dared to come play with Punchdrunk across the years. It is also offered to the curious; those adventurers ready and waiting to be immersed in Punchdrunk worlds.

Josephine Machon is Associate Professor in Contemporary Performance at Middlesex University, London. She is the author of Immersive Theatres: Intimacy and Immediacy in Contemporary Performance (2013) and (Syn)aesthetics: Redefining Visceral Performance (2009, 2011), and has published widely on Punchdrunk’s work and other experiential performance practice.

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