Punk & the Animal
Shipping & Delivery
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
14-28 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Product details
- ISBN 9781835953396
- Dimensions: 170 x 244mm
- Publication Date: 16 Oct 2026
- Publisher: Intellect
- Publication City/Country: GB
- Product Form: Hardback
Punk and the Animal: Ethos, Ethics, and Aesthetics, gives contemporary insight into critical interspecies debates from an analytical perspective through the lens of punk.
It explores the synergies, crossovers, and alignments of punk thinking, together with punk ideologies and influences in contemporary animal studies. The volume includes contributions from leaders in the punk movement who engaged in exemplary practices that helped forge ongoing connections between punk and animal studies. In addition, it includes chapters by artists, scholars of visual and popular culture, animal studies specialists, and others in artistic and art-affiliated disciplines who have found their way into animal studies from one of the many manifestations of punk and who see punk’s ethos, ethics, and aesthetics as formative to their own work.
This volume complements current interest in the subjects of punk studies and animal studies while helping cement the important insights to be gained through examining the intersection of these fields.
Laura D. Gelfand is a Professor of Art History at Utah State University, USA. Currently her research centers on the intersection of art history and animal studies with a particular focus on canids.
Angela Bartram is Professor of Contemporary Art and Co-Lead for the Creative and Cultural Industries Academic Theme and Co-Lead of the Creative and Cultural Industries Research Centre, University of Derby, UK. She works as an artist and artistic researcher, and her research focuses on documentation as an act of ephemeral art process, and with animality and empathy in human-animal companion-species relationships.
