Qing Encounters - Artistic Exchanged between China and the West

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A01=Petra ten-Doesschate Chu
Art
Asian
Asian aesthetics
Asian art
Asian art forms
Asian art styles.
Asian artists
Asian culture
Asian history
Asian influences
Asian traditions
Author_Petra ten-Doesschate Chu
battle
Beijing
Brighton Pavilion
Canton
Category=AB
Chinoiserie
collecting
colonial
cross cultural
display
dynasty
economics
eighteenth century
emperor
empire
engravings
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
gardens
Guangzhou
Han
Henri Bertin
imperialism
interactions
Kiakhta
Manchu
merchants
missions
modernity
Mongolia
multi-ethnic
nineteenth century
nomadic life
Occidental
order
Oriental
politics
prints
representation
ritual
Russia
Tibetan Buddhism
trade
tradition
visual culture
war

Product details

  • ISBN 9781606064573
  • Weight: 946g
  • Dimensions: 179 x 254mm
  • Publication Date: 29 Sep 2015
  • Publisher: Getty Trust Publications
  • Publication City/Country: US
  • Product Form: Paperback
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Qing Encounters: Artistic Exchanges between China and the West examines how the encounters between China and Europe in the eighteenth and early nineteenth centuries transformed the arts on both sides of the East-West divide. The essays in the volume reveal the extent to which images, artifacts, and natural specimens were traded and copied, and how these materials inflected both cultures' visions of novelty and pleasure, battle and power, and ways of seeing and representing. Artists and craftspeople on both continents borrowed and adapted forms, techniques, and modes of representation, producing deliberate, meaningful, and complex hybrid creations. By considering this reciprocity from both Eastern and Western perspectives, Qing Encounters offers a new and nuanced understanding of this critical period.
Petra ten-Doesschate Chu is a professor of art history and museum studies and director of graduate studies in Museum Professions at Seton Hall University. Ning Ding is a professor of art history and theory and vice-dean at the School of Arts, Peking University.

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