Quatremère de Quincy's Moral Considerations on the Place and Purpose of Works of Art

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19th century
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art criticism
art history
art museums
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B06=Jr.
B06=Louis A. Ruprecht
British Museum
Canova
Category1=Non-Fiction
Category=AC
Category=AGA
Category=HRAB
Category=QRAB
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fine art
French Revolution
imperialism
Language_English
Louvre
PA=Available
Price_€50 to €100
PS=Active
secularism
softlaunch
Vatican Museum
Winckelmann

Product details

  • ISBN 9781793642196
  • Weight: 399g
  • Dimensions: 163 x 227mm
  • Publication Date: 19 Jul 2021
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Antoine Chrysostome Quatremère de Quincy (1755-1849) was the most important Neoclassical
art historian in the generation after Johann Joachim Winckelmann (1717-1768). It is difficult
now to appreciate his importance, due in part to the lack of translations of his 21 published
books: three were rendered into English in the 19th century, and one in the 21st. The Moral
Considerations has long been considered the most shattering polemic against public museums
ever written. But I will show that Quatremère’s polemic was aimed, not against museums per se,
but rather against the imperialist and secularist curatorial purposes of Parisian museums in the
age of Revolution. His Neoclassical commitments maintained the centrality of religion, and of
incarnation, to any proper understanding of the place and purpose of the fine arts.

Louis A. Ruprecht Jr. is the William M. Suttles Professor of Religious Studies in the
Department of Anthropology at Georgia State University.