Queer Asian Cinema

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A01=Andrew Grossman
Amitabh Bachchan
Ashok Row Kavi
Asian gender representation
Author_Andrew Grossman
Beautiful Mystery
Bird's Eye
Bird’s Eye
Black Lizard
Category=JH
Chen Kaige's Farewell
Chen Kaige’s Farewell
Chris Berry
cinematic homoeroticism
Confucian family dynamics
cross-gender performance
Cross-gender Performances
Cross-gender Performer
Customs Censorship
Drawn Back
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Family Friend
Female Homosociality
Gay Boom
Gay Theme Films
Gayatri Gopinath
Hindi Cinema
homosexuality
Hong Kong's gangster movies
Jonathan M. Hall
Jooran Lee
Julian Stringer
Korean Film
Korean Film History
Korean films
LGBTQ film studies
movie criticism
Popular Indian Cinema
Prakash Mehra
queer Asian cinema analyzes
Queer Diasporic Subjects
queer identities in Asian cinema research
R. Raj Rao
Riyad Vinci Wadia
Rolando B. Tolentino
Sad Young Man
Sean Metzger
See-Karn Tan
Shojo Manga
Stephen D. Miller
Timothy Liu
transgender identity analysis
Udo Helms
Wadia Movietone
Wedding Banquet
Yamagata International Documentary Film Festival
Young Man

Product details

  • ISBN 9781560231400
  • Weight: 584g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 Jan 2001
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Paperback
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Explore queer themes in films from Hong Kong gangster flicks to Bollywood melodramas!Although Asian films have reached a new height in popularity worldwide, Queer Asian Cinema: Shadows in the Shade is the first full-length book in English solely devoted to examining the aesthetics and politics of homosexuality in Asian films. This unique book presents multiple points of view on the portrayal of gay, lesbian, and transgendered people in film throughout Asia. From the subversive sadomasochism of Japan's ”pink films” to the hard-boiled world of Hong Kong's gangster movies, Queer Asian Cinema analyzes and discusses attitudes toward homosexuality in the full spectrum of Asian film. In addition to studies of the representation of identified gay men, lesbians, and transgendered individuals, it reveals the hidden homoerotic subtext of otherwise conventional films.Queer Asian Cinema: Shadows in the Shade examines diverse aspects of Asian films, including:

  • the political and psychological links between feudal and sadomasochist hierarchies
  • the inevitable punishment of homoerotic bonds in gangster films
  • the integration of the homosexual couple into the Confucian family structure in Korean films
  • the complexities of cross-gender casting
  • the differences between transvestism and cross-dressing
  • the definition of male genitalia as obsceneQueer Asian Cinema: Shadows in the Shade brings together experts in both film-making and movie criticism, providing a balanced viewpoint to unite the worlds of academic and popular perceptions on this subject. It opens an exciting discussion of this important and largely neglected area of cinematic discourse.
Andrew Grossman

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