Queer History of the Ballet

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A01=Peter Stoneley
Anna Pavlova
Author_Peter Stoneley
Balanchine's Work
Balanchine’s Work
ballerina
Ballet Caravan
ballets
Ballets Russes
Ballets Russes Seasons
Carl Van Vechten
Category=AFKP
Category=ATD
Category=ATQL
Category=JBCC
Category=JBSJ
Category=NH
Corps De Ballet
cultural history of homosexuality
dance historiography
Dim
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eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fairy Ballets
Fanny Elssler
fonteyn
gender identity in dance
La Sylphide
lake
Le Baiser De La
Les Biches
LGBTQ perspectives in ballet history
Lower Class Men
margot
Margot Fonteyn
modernism in performing arts
Nijinsky
nineteenth-century sexuality
prima
Prima Ballerina
queer performance studies
Robert Le Diable
Romantic Ballet
rose
russes
Serge Lifar
spectre
swan
Swan Lake
Vaslav Nijinsky
York City Ballet
Young Man

Product details

  • ISBN 9780415972796
  • Weight: 570g
  • Dimensions: 138 x 216mm
  • Publication Date: 05 Oct 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Designed for students, scholars and general readers with an interest in dance and queer history, A Queer History of the Ballet focuses on how, as makers and as audiences, queer men and women have helped to develop many of the texts, images, and legends of ballet.

Presenting a series of historical case studies, the book explores the ways in which, from the nineteenth century into the twentieth, ballet has been a means of conjuring homosexuality – of enabling some degree of expression and visibility for people who were otherwise declared illegal and obscene.

Studies include:

  • the perverse sororities of the Romantic ballet
  • the fairy in folklore, literature, and ballet
  • Tchaikovsky and the making of Swan Lake
  • Diaghilev’s Ballets Russes and the emergence of queer modernity
  • the formation of ballet in America
  • the queer uses of the prima ballerina
  • Genet’s writings for and about ballet.

Also including a consideration of how ballet’s queer tradition has been memorialized by such contemporary dance-makers as Neumeier, Bausch, Bourne, and Preljocaj, this is an essential book in the study of ballet and queer history.

University of Reading

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