Queer Objects

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Angelaki
Animal Hoarding
animate queer modes
Argonauts
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B01=Guy Davidson
B01=Monique Rooney
Bibb County
Camp
Category1=Non-Fiction
Category=HPJ
Category=QDTJ
COP=United Kingdom
cultural artefacts analysis
CUNY Graduate Center
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Dense
Diane Arbus
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eq_nobargain
Eve
Eve Kosofsky Sedgwick
Follow
gender performativity
Holds
identities
identity representation
Lad Lit
Language_English
LGBTQ+ theory research
Maggie Nelson
Makeup
material culture studies
Medea
Munoz
Nick Hornby
object relations
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Persona
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queer materiality
Queer Objects
Queer Studies
queer theory
Queer World Making
relational queerness
relationality in queer studies
Ripley Novels
Roundabout
s-Town
softlaunch
Tattooed
The Argonauts
Vice Versa
Violate
Virgina Woolf
Virginia Woolf
Wo
Young Man

Product details

  • ISBN 9780367202934
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 14 May 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Pursuing the discursive or material effects of relational queerness, this book reflects on how objects can illuminate, affect, and animate queer modes of being.

In the early 1990s the queer theorist Eve Kosofsky Sedgwick defined queer as “multiply transitive . . . relational and strange,” rather than a fixed identity. In spite of this, much of the queer theoretical scholarship of the last three decades has used queer as a synonym for anti-normative sexual identities. The contributions to this volume return to the idea of transitivity, exploring what happens when queer is thought of as a turning toward or turning away from a diverse range of objects, including bodily waste; frozen cats; archival ephemera; the writing of Virginia Woolf; the Pop art of Ray Johnson; the podcast S-Town; and Maggie Nelson’s memoir The Argonauts.

Relevant to those studying queer theory, this book will also be of wider interest to those researching identity and the way in which it is represented in a variety of artistic disciplines.

This book was originally published as a special issue of Angelaki.

Guy Davidson is Associate Professor of English Literature at the University of Wollongong, Australia. His most recent book is Categorically Famous: Literary Celebrity and Sexual Liberation in 1960s America (2019).

Monique Rooney teaches literature, film and television in the English Program at the Australian National University. She is the author of Living Screens: Melodrama and Plasticity in Contemporary Film and Television (2015). She is the editor of Australian Humanities Review.