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Queer Representations in Chinese-language Film and the Cultural Landscape

Shi-Yan Chao
€56.99
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A01=Shi-Yan Chao
Author_Shi-Yan Chao
camp aesthetic
camp aesthetics
Category=ATF
Category=JBCT
Category=NH
chinese-language film
discourse
documentary
East Asian cinema
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film melodrama analysis
gender performance
LGBTQ studies
queer
queer identity in Chinese cinema
tongzhi
transcultural media studies

Product details

  • ISBN 9781041184829
  • Weight: 760g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Description

Queer Representations in Chinese-language Film and the Cultural Landscape provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao’s discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the Chinese idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media.
About Shi-Yan Chao
Shi-Yan Chao is research assistant professor in the Academy of Film at Hong Kong Baptist University. He holds a PhD in Cinema Studies from New York University, and was an INTERACT postdoctoral fellow in the Weatherhead East Asian Institute at Columbia University. His articles on Chinese-language film and media and vocal performance have appeared in various journals and anthologies.

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