Queer Technologies

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Adela C. Licona
Adrienne Shaw
affect
affective media technologies
affordances
Andre Cavalcante
Avery Dame
Category=JBCT
Common Language
communication
counterpublics
Critical Studies in Media Communication
Daniel C. Brouwer
digital cultures
Elena Maris
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Gaming Narratives
Geosocial Networking
Grand Theft Auto
Hookup Apps
Jia Tan
Joshua Hochman
Lesbian Contact
LGBTQ
LGBTQ Identity
LGBTQ Media
LGBTQ Representation
Maggie MacAulay
Marcos Daniel Moldes
media studies
Megan Sapnar Ankerson
new media
nonbinary identities
Print Zines
Provincial Tv Station
Qu
Queer Comrades
queer media
Queer Narrative
Queer Technologies
queer theory
queer worldmaking
Real Names Policy
Sarah Murray
Shira Chess
Startup Culture
Susan's Place
Tag Police
Trans Users
transgender theory
Tumblr Users
Tv Journalism
Video Game Narrative
Young Man
Zine Culture

Product details

  • ISBN 9780367143275
  • Weight: 400g
  • Dimensions: 174 x 246mm
  • Publication Date: 21 Jan 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Queer media studies has mostly focused on lesbian, gay, bisexual, transgender, and queer (LGBTQ) visibility, stereotypes, and positive images, but media technologies aren’t just vehicles for representations, they also shape them. How can queer theory and queer methodologies complicate our understanding of communication technologies, their structures and uses, and the cultural and political implications of these? How can queer technologies inform debates about affect, temporality, and publics?

This book presents new scholarship that addresses queer media production and practices across a wide range of media, including television, music, zines, video games, mobile applications, and online spaces. The authors consider how LGBTQ representations and reception are shaped by technological affordances and constraints. Chapters deal with critical contemporary concepts such as counterpublics, affect, temporality, nonbinary practices, queer technique, and transmediation to explore intersections among communication and media studies and cutting-edge queer and transgender theory. This collection moves beyond considering LGBTQ representations as they appear in media to consider the central role of technologies in understanding intersections among gender, sexuality, and media. Even the most heteromasculine technologies can be queered, yet we can’t assume queerness works in the same way across different media. Emergent media technologies afford queer worldmaking, but these worlds are forged between normalization and niche marketing. This book was originally published as a special issue of Critical Studies in Media Communication.

Katherine Sender is a Professor of Media and Sexuality in the Department of Communication Studies at the University of Michigan, Ann Arbor, USA. Her written work includes Business, not Politics: The Making of the Gay Market (2004) and her documentary work addresses the history of LGBTQ representation on US television. Adrienne Shaw is an Assistant Professor in the Department of Media Studies and Production, and a member of the School of Media and Communication graduate faculty at Temple University, Philadelphia, USA. She is the author of Gaming at the Edge: Sexuality and Gender at the Margins of Gamer Culture (2014).