Queer Timing

Regular price €26.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Susan Potter
Age Group_Uncategorized
Age Group_Uncategorized
Author_Susan Potter
automatic-update
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=JBSJ
Category=JFSK1
character
cinema of attractions
COP=United States
Delivery_Delivery within 10-20 working days
Dorothy Arzner
early cinema
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
female spectatorship
feminist film history
feminist film theory
film historiography
film history
heterosexuality
history of sexuality
homoeroticism
identification
Language_English
lesbian in silent movies
lesbian subtext
lesbianism
lesbianism in early film
Loie Fuller
PA=Available
Pandora's Box
Price_€20 to €50
PS=Active
queer affect
queer affect in silent movies
queer historiography
queer theory
romantic friendship
Rudolph Valentino
same-sex desire
sexual difference
sexual identity
sexual inversion
sexual representation
sexuality
softlaunch
spectatorship
stardom
subtext
temporality
theories of lesbianism in early film
visual pleasure

Product details

  • ISBN 9780252084249
  • Weight: 340g
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Jun 2019
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

John Leo and Dana Heller Award for Best Single Work, Anthology, Multi-Authored or Edited Book in LGBTQ Studies, Popular Culture Association (PCA), 2020

In Queer Timing, Susan Potter offers a counter-history that reorients accepted views of lesbian representation and spectatorship in early cinema. Potter sees the emergence of lesbian figures as only the most visible but belated outcome of multiple sexuality effects. Early cinema reconfigured older erotic modalities, articulated new--though incoherent--sexual categories, and generated novel forms of queer feeling and affiliation.

Potter draws on queer theory, silent film historiography, feminist film analysis, and archival research to provide an original and innovative analysis. Taking a conceptually oriented approach, she articulates the processes of filmic representation and spectatorship that reshaped, marginalized, or suppressed women's same-sex desires and identities. As she pursues a sense of "timing," Potter stages scenes of the erotic and intellectual encounters shared by historical spectators, on-screen figures, and present-day scholars. The result is a daring revision of feminist and queer perspectives that foregrounds the centrality of women's same-sex desire to cinematic discourses of both homo- and heterosexuality.

Susan Potter is lecturer in film studies at the University of Sydney.

More from this author