Queering Acts of Mourning in the Aftermath of Argentina's Dictatorship

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"disappeared"
A01=Cecilia Sosa
affective transmission of trauma
Age Group_Uncategorized
Age Group_Uncategorized
Argentina's last dictatorship
Author_Cecilia Sosa
automatic-update
bloodline normativity
Category1=Non-Fiction
Category=DSBH
collective pleasure
COP=United Kingdom
Delivery_Delivery within 10-20 working days
democracy
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
narratives of suffering
non-normative acts of mourning
PA=Available
performance studies
post-dictatorship Argentina
Price_€50 to €100
PS=Active
queer theory
softlaunch

Product details

  • ISBN 9781855662797
  • Weight: 556g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Sep 2014
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Shows how the experience of violence in Argentina shed light on a new sense of "being together" that goes beyond bloodline ties. Co-winner of the 2013 inaugural Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland The aftermath of Argentina's last dictatorship (1976-1983) has traditionally been associated with narratives of suffering, which recall the loss of the 30,000 civilians infamously known as the "disappeared". When democracy was recovered, the unspoken rule was that only those related by blood to the missing were entitledto ask for justice. This book both queries and queers this bloodline normativity. Drawing on queer theory and performance studies, it develops an alternative framework for understanding the affective transmission of trauma beyondtraditional family settings. To do so, it introduces an archive of non-normative acts of mourning that runs across different generations. Through the analysis of a broad spectrum of performances - including interviews, memoirs, cooking sessions, films, jokes, theatrical productions and literature - the book shows how the experience of loss has not only produced a well-known imaginary of suffering but also new forms of collective pleasure. Cecilia Sosa received a PhD in Drama from Queen Mary, University of London. She is currently a post-doctoral research fellow at School of Arts & Digital Industries, University of East London.

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