Home
»
Queering the Field
Queering the Field
Regular price
€59.99
603 verified reviews
100% verified
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
14-28 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Close
Category=AVA
Category=JBFW
Category=JHB
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Product details
- ISBN 9780190458034
- Weight: 635g
- Dimensions: 234 x 157mm
- Publication Date: 01 Nov 2019
- Publisher: Oxford University Press Inc
- Publication City/Country: US
- Product Form: Paperback
Drawing on ethnographic research and often deeply personal experiences with musical cultures, Queering the Field: Sounding out Ethnomusicology unpacks a history of sentiment that veils the treatment of queer music and identity within the field of ethnomusicology. The thematic structure of the volume reflects a deliberate cartography of queer spaces in the discipline-spaces that are strongly present due to their absence, are marked by direct sonic parameters, or are called into question by virtue of their otherness. As the first large-scale study of ethnomusicology's queer silences and queer identity politics, Queering the Field directly addresses the normativities currently at play in musical ethnography (fieldwork, analysis, performance, transcription) as well as in the practice of musical ethnographers (identification, participation, disclosure, observation, authority). While rooted in strong narrative convictions, the authors frequently adopt radicalized voices with the goal of queering a hierarchical sexual binary.
The essays in the volume present rhetorical and syntactical scenarios that challenge us to read in prescient singular ways for future queer writing and queer thought in ethnomusicology.
Gregory Barz is Director of the School of Music at Boston University where he is professor of ethnomusicology. He serves as the president of the Society for Ethnomusicology and currently conducts field research on drag culture in Israel.
William Cheng is an Associate Professor of Music at Dartmouth College. He teaches courses in history, media, ethics, disability, race, and digital games. Working at the crossroads of critical inquiry and public engagement, he advocates for interpersonal care as they heart of academic and activist labors. He is a founding co-editor of the new Music & Social Justice series published by University of Michigan Press.
Queering the Field
€59.99
