Queerness in Heavy Metal Music

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A01=Amber R. Clifford-Napoleone
American studies
anthropology
Author_Amber R. Clifford-Napoleone
Black Leather
Black Metal
Category=AVA
Category=AVC
Category=AVL
Category=AVLP
Category=JBCC1
Category=JBSF
Corporeal Consumption
Death Metal
Death Metal Fans
desire
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnography
ethnomusicology
Female Rock Musicians
Gay Male Fan
gender
gender identity in music
heavy metal
Heavy Metal Fans
Heavy Metal Performance
Heavy Metal Scenes
Heavy Metal Scholarship
Heavy Metal Style
hyperfeminine
hypermasculine
identity
identity politics in subcultures
Judas Priest
Leather Culture
LGBTQ studies
Mein Teil
Metal Fans
Mosh Pit
musicology queer theory
non-normative gender
Opaque Performance
performers
popular culture
popular music
queer belonging
queer culture
queer fans
queer representation heavy metal research
queer theory
queerness
Routledge Studies in Popular Music
self-identified queer performers
sexuality
sexuality in popular culture
Slash Fiction
Sonic Gestures
spatiality
subcultural ethnography
Suzi Quatro
Symphonic Metal
Young Man

Product details

  • ISBN 9780815365587
  • Weight: 330g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Oct 2017
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Paperback
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While the growing field of scholarship on heavy metal music and its subcultures has produced excellent work on the sounds, scenes, and histories of heavy metal around the world, few works have included a study of gender and sexuality. This cutting-edge volume focuses on queer fans, performers, and spaces within the heavy metal sphere, and demonstrates the importance, pervasiveness, and subcultural significance of queerness to the heavy metal ethos.

Heavy metal scholarship has until recently focused almost solely on the roles of heterosexual hypermasculinity and hyperfemininity in fans and performers. The dependence on that narrow dichotomy has limited heavy metal scholarship, resulting in poorly critiqued discussions of gender and sexuality that serve only to underpin the popular imagining of heavy metal as violent, homophobic and inherently masculine. This book queers heavy metal studies, bringing discussions of gender and sexuality in heavy metal out of that poorly theorized dichotomy.

In this interdisciplinary work, the author connects new and existing scholarship with a strong ethnographic study of heavy metal’s self-identified queer performers and fans in their own words, thus giving them a voice and offering an original and ground-breaking addition to scholarship on popular music, rock, and queer studies.

Amber R. Clifford-Napoleone is Assistant Professor of Anthropology and Curator of Nance Collections at the University of Central Missouri, USA.

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