Quiet Pictures

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A01=Sarah Artt
adolescents
adulthood
Author_Sarah Artt
Category=ATFA
Category=ATM
Category=JBSF1
Celine Sciamma
children
cinema
dialogue
directors
emotions
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Evolution
Joanna Hogg
Lucile Hadzhalilovic
Lynne Ramsay
Morvern Callar
muting
oppressive
representation
screen
Silence
soothing
uncomfortable
We Need to Talk about Kevin
women

Product details

  • ISBN 9781501347214
  • Dimensions: 152 x 229mm
  • Publication Date: 16 May 2024
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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Quiet Pictures approaches the films of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilovicthrough the lens of silence as a motif and texture.

This book takes up the question of different uses of silence in the work of these directors and how this creates a space for foregrounding innovative practices that establish new ways of looking, staring, and gazing. Sarah Artt discusses how the deliberate deployment of silence creates space for the formation of reciprocal gazes that counteract the typically gendered and binary ways in which women and femme-presenting people tend to be portrayed on screen. Quiet Pictures draws on the political legacy of feminist film theory to explore and conceptualise what it means to not just look back, but to share the gaze.

This book discusses several films, including: Unrelated (Hogg, 2007), Archipelago (Hogg, 2010), Exhibition (Hogg, 2013), The Souvenir Part I and II (Hogg, 2019 and 2021), Morvern Callar (Ramsay, 2002), We Need to Talk About Kevin (Ramsay, 2011), Innocence (Hadžhalilovic 2004), Evolution (Hadžhalilovic 2015), Waterlilies/Naissance des Pieuvres (Sciamma, 2007), Tomboy (Sciamma, 2011), Girlhood/Bande des Filles (Sciamma, 2014), Portrait of a Lady on Fire/Portrait d’une jeune fille en feu (Sciamma, 2019), and Petite Maman/Little Mother (Sciamma, 2021).

Sarah Artt is Lecturer in English and Film at Edinburgh Napier University, UK. Her research interests include screen adaptations, silence in the cinema, and the representation of women in public. Her work has appeared in Scope, In Media Res, and multiple edited collections.

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