Race and Popular Fantasy Literature

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A01=Helen Young
Author_Helen Young
C. S. Lewis
Category=DSBH
Category=JBCC1
Category=JBSL
Category=NH
Colour Blind Racism
Contemporary Society
Dragon Age
Epic Fantasy
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Ethnicity
Fan Communities
Fan Studies
Fanhood
Fantasy
Fantasy Genre
Fantasy Worlds
Genre Communities
George R. R. Martin
Gritty Fantasy
High Fantasy
Howard's Stories
Howard's Work
Howard’s Stories
Howard’s Work
Indigenous Authors
Literature
Lost Girl
Lovecraft
Magical Negro
Monster Manual
Monster Theory
Popular
Popular Culture
Race
Race Logics
Racial Logics
Real Middle Ages
Research
Science Fiction
SFF.
Sister Mine
Sleepy Hollow
Suburban Fantasy
The Lord of the Rings
Tolkien
Urban Fantasy
Whiteness
Whiteness Studies
World Fantasy Awards
Young Man

Product details

  • ISBN 9781138547704
  • Weight: 440g
  • Dimensions: 152 x 229mm
  • Publication Date: 12 Feb 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book illuminates the racialized nature of twenty-first century Western popular culture by exploring how discourses of race circulate in the Fantasy genre. It examines not only major texts in the genre, but also the impact of franchises, industry, editorial and authorial practices, and fan engagements on race and representation. Approaching Fantasy as a significant element of popular culture, it visits the struggles over race, racism, and white privilege that are enacted within creative works across media and the communities which revolve around them. While scholars of Science Fiction have explored the genre’s racialized constructs of possible futures, this book is the first examination of Fantasy to take up the topic of race in depth. The book’s interdisciplinary approach, drawing on Literary, Cultural, Fan, and Whiteness Studies, offers a cultural history of the anxieties which haunt Western popular culture in a century eager to declare itself post-race. The beginnings of the Fantasy genre’s habits of whiteness in the twentieth century are examined, with an exploration of the continuing impact of older problematic works through franchising, adaptation, and imitation. Young also discusses the major twenty-first century sub-genres which both re-use and subvert Fantasy conventions. The final chapter explores debates and anti-racist praxis in authorial and fan communities. With its multi-pronged approach and innovative methodology, this book is an important and original contribution to studies of race, Fantasy, and twenty-first century popular culture.

Helen Young is an Honorary Associate of the Department of English at the University of Sydney, Australia.

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