Race-ing Art History

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american
Ancient Romans
art historiography
artists
Au Beurre
Basquiat's Work
Black Male Nude
Caecilius Iucundus
Category=AB
Category=AGA
Category=JBSL1
contemporary
Contemporary Native American Artists
d'avignon
demoiselles
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Gauguin
gender in art
harlem
identity formation
IOI
La Malinche
Lam's Work
les
mrican
Mrican American
Mrican Art
National Cowboy Hall
native
Oil On Canvas
Orientalist Paintings
Paul Gauguin
Phoenix Art Museum
postcolonial theory
racial representation in visual arts
renaissance
representation politics
Rosh Ha Shanah
Sally Hemings
Sarah Bartmann
South Mrica
Violate
visual culture studies
Western Style Painting
White America
Young Men

Product details

  • ISBN 9780415927611
  • Weight: 810g
  • Dimensions: 178 x 254mm
  • Publication Date: 09 Aug 2002
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.

Kymberly N. Pinder is Associate Professor of Art History at the School of the Art Institute of Chicago.