Racial Discourse and Cosmopolitanism in Twentieth-Century African American Writing

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A01=Tania Friedel
African American literature
African American Writers
Author_Tania Friedel
Blues Idiom
bois
Briar Patch
bun
Cane
Carl Van Vechten
Category=DSBH
Category=JBSL
Category=N
Category=NHK
chinaberry
Chinaberry Tree
Cosmopolitan Perspective
Cosmopolitan Thought
Double Consciousness
Du Bois influence
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fairy Tale
Fine Art Forms
frank
Harlem Renaissance
Hughes's Career
Hughes's Writing
Hughes’s Career
Hughes’s Writing
identity
identity politics
Idiomatic Roots
interethnic relations
League Boots
literary modernism
Main Character
multicultural theory
plum
Plum Bun
pluralism in American writing
Racial Formation Process
randolph
Social Science Fiction
Tragicomic Sensibility
tree
Van Vechten
Van Wyck Brooks
waldo
White Folks
writers
Young Man

Product details

  • ISBN 9780415963558
  • Weight: 560g
  • Dimensions: 152 x 229mm
  • Publication Date: 03 Dec 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book engages cosmopolitanism—a critical mode which moves beyond cultural pluralism by simultaneously privileging difference and commonality—in order to examine its particular deployment in the work of several African American writers. Deeply influenced and inspired by W. E. B. Du Bois, the writers closely examined in this study—Jean Toomer, Jessie Fauset, Langston Hughes and Albert Murray—have advanced cosmopolitanism to meet its own theoretical principals in the contested arena of racial discourse while remaining integral figures in a larger tradition of cosmopolitan thought. Rather than become mired in fixed categorical distinctions, their cosmopolitan perspective values the pluralist belief in the distinctiveness of different cultural groups while allowing for the possibility of inter-ethnic subjectivities, intercultural affiliations and change in any given mode of identification. This study advances cosmopolitanism as a useful model for like-minded critics and intellectuals today who struggle with contemporary debates regarding multiculturalism and universalism in a rapidly, yet unevenly, globalizing world.

Tania Friedel is a lecturer for the Expository Writing Program and Tisch School of the Arts at New York University, where she teaches a course devoted to interrogating ideas of artistic citizenship, the public sphere, and the role of art in the world.

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