Radiohead and the Journey Beyond Genre

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A01=Julia Ehmann
Audience Groups
audience reception
Author_Julia Ehmann
Canonic Genre
Canonic Terms
Category=AVLA
Category=JBCC1
Child's Tv Programme
Child’s Tv Programme
cultural studies
discourse analysis
Discursive Sources
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Genre Discourses
Genre Immediacy
Genre Progress
Genre Reception
Genre Rules
genre theory
genre transgression
genre transgression in popular music
Journalistic Discourse
music criticism
Music Journalism
musicology
Offline Discourses
Ondes Martenot
Online Audiences
Online Discourse
Popular Music
Popular Music Genre
Popular Music Reception
Popular Music Scholars
popular music studies
Reference Issues
rock music
Vice Versa
Web Audiences

Product details

  • ISBN 9781032087580
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jun 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Radiohead and the Journey Beyond Genre traces the uses and transgressions of genre in the music of Radiohead and studies the band’s varied reception in online and offline media. Radiohead’s work combines traditional rock sounds with a unique and experimental approach towards genre that sets the band apart from the contemporary mainstream. A play with diverse styles and audience expectations has shaped Radiohead’s musical output and opened up debates about genre amongst critics, fans, and academics alike. Interpretations speak of a music that is referential of the past but also alludes to the future. Applying both music- and discourse-analytical methods, the book discusses how genre manifests in Radiohead’s work and how it is interpreted amongst different audience groups. It explores how genre and generic flexibility affect the listeners’ search for musical meaning and ways of discussion. This results in the development of a theoretical framework for the study of genre in individual popular music oeuvres that explores the equal validity of widely differing forms of reception as a multidimensional network of meaning. While Radiohead’s music is the product of an eclectic mixture of musical influences and styles, the book also shows how the band’s experimental stance has increasingly fostered debates about Radiohead’s generic novelty and independence. It asks what remains of genre in light of its past or imminent transgression. Offering new perspectives on popular music genre, transgression, and the music and reception of Radiohead, the book will appeal to academics, students, and those interested in Radiohead and matters of genre. It contributes to scholarship in musicology, popular music, media, and cultural studies.

Julia Ehmann is a postdoctoral researcher at the University of Hamburg. She obtained her PhD from Oxford Brookes University in 2016. Her research interests include popular music history and reception studies.