aesthetics
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B01=Chris Stover
B01=Joao Pedro Cachopo
B01=Patrick Nickleson
Category1=Non-Fiction
Category=HPCF
Category=HPN
Category=QDHR
Category=QDTN
COP=United Kingdom
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improvisation
Jacques Ranciere
jazz
Language_English
music
noise
opera
PA=Available
philosophy of music
Price_€20 to €50
PS=Active
softlaunch
Product details
- ISBN 9781474440233
- Dimensions: 156 x 234mm
- Publication Date: 03 Mar 2022
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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The place of music in Ranciere's thought has long been underestimated or unrecognised. Ranciere and Music responds to this absence with a collection of 15 essays by scholars from a variety of music- and sound-related fields including an original Afterword by Ranciere on the role of music in his thought and writing.Contributions engage closely with Ranciere's existing commentary on music, its relationship to other arts in the aesthetic regime, revealed through detailed case studies around music, sound, and listening.Ranciere's thought is explored along a number of music-historical trajectories, including Italian and German opera, Romantic and modernist music, Latin American and South African music, jazz, and contemporary popular music. Ranciere's work is also set creatively in dialogue with other key contemporary thinkers including Adorno, Althusser, Badiou and Deleuze.
João Pedro Cachopo is a Marie Skłodowska-Curie Fellow with a joint affiliation to the Universidade Nova de Lisboa and the University of Chicago Patrick Nickleson is Postdoctoral Researcher at Queen's University at Kingston, Ontario. Chris Stover is an Associate Professor of Music Studies and Research at Queensland Conservatorium, Griffith University, where he directs the PhD program and teaches courses in music theory, musicology, and jazz. His recent book Reimagining Music Theory: Contexts, Communities, Creativities was published by Routledge as part of the College Music Society’s Emerging Fields in Music series, and he is co-editor of Rancière and Music (EUP) and Making Music Together: Analyzing Musical Interaction (OUP, in press). He has published many articles and chapters that bring critical theory and music studies into robust dialogue, including essays in Deleuze and Guattari Studies, Music Theory Online, Perspectives of New Music, Analytical Approaches to World Music, The Open Space Magazine, Engaging Students, the Oxford Handbook of Public Music Theory, the Oxford Handbook of Feminism and Music Education, Queer Ear, Deleuze and Children, Machinic Assemblages of Desire, and many more. He is also an improvising trombonist and composer.
