Randia's Quiet Theatre

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A01=Magdalena Kazubowski-Houston
Affect
Ageing
Author_Magdalena Kazubowski-Houston
Autofiction
Category=ATD
Category=JBSL
Category=JBSP4
Collaboration
Disability
Discrimination
Eldercare
Embodiment
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Ethics
Ethnography
Gender
Imagination
Migrations
Poland
Qualitative Methods
Racism
Romani Rights
Storytelling

Product details

  • ISBN 9780228024781
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Apr 2025
  • Publisher: McGill-Queen's University Press
  • Publication City/Country: CA
  • Product Form: Paperback
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Throughout Poland, tens of thousands of elderly people live with disabilities in four-storey walk-up apartment buildings. In many cases their children have emigrated; they live with loneliness, a lack of basic amenities, silence, and the absence of care. They are known as "prisoners of the fourth floor."

In Randia's Quiet Theatre Magdalena Kazubowski-Houston mixes autofiction, ethnography, and theatrical improvisation to unravel the politics of aging in Poland. At the centre of the book is Randia, a Romani fortune teller, storyteller, and performer confined to her fourth-floor apartment in old age. In interviews, Randia's identity is fixed: she tells of the hardships she faced as a Romani girl and as a wife, mother, and grandmother whose relationship with her family was shaped by separation, sickness, and death. But in storytelling sessions staged in her home, Randia steps into characters and is freed: her tales move between the past, the present, and the future, across life and death; her characters look after one another and change history. Kazubowski-Houston finds in Randia's performances a quiet activism through which she envisages alternative lives and articulates an ethics of care among individuals, communities, and spirits.

Interwoven throughout Randia's Quiet Theatre are Kazubowski-Houston's own stories about caring for her elderly and disabled mother, making the book a collaborative, reflexive, and complex creative work. It reveals how ethnographers and their interlocutors can stand on more equal ground. Ultimately it is a profound reflection on how the elderly can live with dignity and how we can care for each other.

Magdalena Kazubowski-Houston is associate professor in the Department of Theatre, Dance & Performance at York University and the author of Staging Strife: Lessons from Performing Ethnography with Polish Roma Women.

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