Rap Music and Street Consciousness

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A01=Cheryl L. Keyes
aesthetics of rap
African music and rap
Afrika Bambaataa
Author_Cheryl L. Keyes
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De La Soul
Death Row
DJ Jazzy Jeff
early rap
East Coast rap
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ethnomusicology of rap
Fresh Prince
gangsta rap
George Clinton
Grandmaster Flash
Hip-Hop Nation
history of hip hop music
history of rap music
history of rap music in America
history of sampling in rap
Ice-T
interviews with rappers
Jamaican music and rap
Kool DJ Herc
Last Poets
LL Cool J
MC Lyte
Notorious B.I.G.
old school rap
origins of hip hop music
origins of rap music
Parliament-Funkadelic
Public Enemy
Queen Latifah
rap and musicology
rap artists
rap music artists
rap music as a form of protest
rap music as expression
rap music ethnic pride
rap music ethnography
rap music evolution
rap music history
rap music timeline
rap music videos
Salt-N-Pepa
sociocultural history of rap
southern rap
Sugar Hill
Tupac Shakur
West African music and rap
West Coast rap
women in rap

Product details

  • ISBN 9780252072017
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Mar 2004
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
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In this first musicological history of rap music, Cheryl L. Keyes traces the genre's history from its roots in West African bardic traditions, the Jamaican dancehall tradition, and African American vernacular expressions to its permeation of the cultural mainstream as a major tenet of hip-hop lifestyle and culture. 

Rap music, according to Keyes, addresses the political and economic disfranchisement of black youths and other groups, fosters ethnic pride, and displays culture values and aesthetics. Blending popular culture with folklore and ethnomusicology, Keyes offers a nuanced portrait of the artists, themes, and varying styles reflective of urban life and street consciousness. Her analysis draws on music, lives, politics, and interests of figures ranging from Afrika Bambaataa, the "godfather of hip-hop," to early artists like Grandmaster Flash, to crossover pioneers like LL Cool J, De La Soul, and Public Enemy, to megastars like Tupac Shakur and The Notorious B.I.G. At the same time, Keyes delves into the impact of the rapper-turned mogul phenomenon, the rise of Death Row Records, and the East Coast-West Coast tensions of the Nineties.

Cheryl L. Keyes is a professor of ethnomusicology and global jazz studies at UCLA. She is also a songwriter, composer, and performer.

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