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Re-Dressing the Canon

Alisa Solomon
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charles
cross-dressed
cross-gender casting
Doll House
dramatic realism analysis
Ed Di
Epic Acting
Epic Theater
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Feather Boa
feminist performance theory
Feminist Theater Critics
gabler
gender identity in classical drama
gender performativity
hedda
Hero's Journey
heroines
Hero’s Journey
Ibsen's Realism
Ibsen’s Realism
ludlam
mabou
Mabou Mines
mines
night
Nora Dances
queer theatre studies
Shen Te
Shui Ta
Split Britches
theatrical representation
Thesmophoria Festival
twelfth
Vice Versa
Wild Duck
Women's Experimental Theater
Women’s Experimental Theater
Wow Cafe
Yang Sun
Yiddish Literature
Yiddish Theater
Young Man

Product details

  • ISBN 9780415157216
  • Weight: 580g
  • Dimensions: 138 x 216mm
  • Publication Date: 30 Oct 1997
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Description

Re-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner.
Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores:
* the 'double disguise' of cross-dressed boy-actresses
* how gender relates to genre (particularly in Ibsens' realism)
* how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity.
About Alisa Solomon
Alisa Soloman is a theatre ciritic, teacher and dramaturg in New York City. She is Associate Professor of English and Theatre at CUNY and a staff writer at the Village Voice.

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