Re-Enacting the Past

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'the past'
Angkor Wat
Angkorian Temples
Apsara Dance
Archaeological Theme Park
authenticity
Cambodia's Independence
Cambodian King
Cambodia’s Independence
Category=AFKP
Category=ATD
Category=JBCC
Category=NHA
Category=NHTD
Corps De Ballet
creativity
cross-disciplinary case studies
embodied historical experience
engagement
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
experience
flux
George Groslier
Global Heritage Community
heritage
Heritage Re-enactment
heritage studies
historical fact
imagination
impermanence
innovation
Intangible Cultural Heritage
intangible heritage
International Journal of Heritage Studies
Iron Age
Iron Age Village
Khmer Dance
Lord Mayor's Show
Lord Mayor’s Show
material culture analysis
materiality
memory
memory culture
originality
performance
performative historiography
Phnom Penh
popular culture
Prehistoric Families
Rain Performances
Re-enactment
Reborn
Royal Ballet
USA
Vietnamese American War
Worshipful Company

Product details

  • ISBN 9781138941861
  • Weight: 430g
  • Dimensions: 174 x 246mm
  • Publication Date: 05 Oct 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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What is re-enactment and how does it relate to heritage? Re-enactments are a ubiquitous part of popular and memory culture and are of growing importance to heritage studies. As concept and practice, re-enactments encompass a wide range of forms: from the annual ‘Viking Moot’ festival in Denmark drawing thousands of participants and spectators, to the (re)staged war photography of An-My Lê, to the Titanic Memorial Cruise commemorating the centennial of the ill-fated voyage, to the symbolic retracing of the Berlin Wall across the city on 9 November 2014 to mark the 25th anniversary of its toppling.

Re-enactments involve the sensuousness of bodily experience and engagement, the exhilarating yet precarious combination of imagination with ‘historical fact’, in-the-moment negotiations between and within temporalities, and the compelling drive to re-make, or re-presence, the past. As such, re-enactments present a number of challenges to traditional understandings of heritage, including taken-for-granted assumptions regarding fixity, conservation, originality, ownership and authenticity. Using a variety of international, cross-disciplinary case studies, this volume explores re-enactment as practice, problem, and/or potential, in order to widen the scope of heritage thinking and analysis toward impermanence, performance, flux, innovation and creativity.

This book was originally published as a special issue of the International Journal of Heritage Studies.

Mads Daugbjerg is Associate Professor of Anthropology at Aarhus University, Denmark. Rivka Syd Eisner is a postdoctoral research fellow with the UFSP Asien und Europa at the University of Zurich, Switzerland. Britta Timm Knudsen is Associate Professor of Aesthetics and Communication at Aarhus University, Denmark.