Re-Enchanted Ghost in Contemporary American Fiction

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A01=Karen Frances McCarthy
afterlife representation
Alice Sebold
American supernatural fiction
Author_Karen Frances McCarthy
Category=DSBH
Category=DSK
Category=VXQG
contemporary American literature
disenchantment
eco-criticism in literature
eco-spectrality
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_mind-body-spirit
eq_new_release
eq_nobargain
eq_non-fiction
experimental fiction
George Saunders
ghost fiction
hauntology
Kevin Brockmeier
liminality studies
Mitch Albom
post-secular literature
postsecularism
re-enchantment
spectral fiction spiritual transformation
speculative literature
spirituality
supernatural fiction
trauma narrative analysis

Product details

  • ISBN 9781041172062
  • Weight: 540g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 May 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Re-Enchanted Ghost in Contemporary American Fiction examines an emerging trend in spectrality and liminality within contemporary American fiction. Traditionally, the ghost story has reflected the culture from which it emerges, thereby providing insights into human challenges, purpose, and values in a given period. In this context, the ghost is often metaphorized, serving as a plot device or as a figure that haunts the living in stories that unfold in physical space.

Through a postsecular reading of four twenty-first-century American novels, Alice Sebold's The Lovely Bones, Mitch Albom's The Five People You Meet in Heaven, Kevin Brockmeier's The Brief History of the Dead, and George Saunders's Lincoln in the Bardo, the book offers a critical approach in language, form, and landscapes to explore different aspects of haunting and re-enchantment.

This analysis reveals how contemporary American spectral fiction moves beyond traditional ghost narratives to address the spiritual and existential concerns that are particularly relevant in today's cultural landscape.

Karen Frances McCarthy holds a Doctorate in English Literature from the University of Birmingham (UK) and is an adjunct faculty member at New York University School of Professional Studies, where she lectures on the cultural and religious intersections of speculative fiction. She is the author of two books, including the creative non-fiction work Till Death Don't Us Part, and focuses on integrating academic scholarship with spectral research.

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