Re-envisioning the Contemporary Art Canon

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Ai Weiwei
American Exhibitions
art and globalization
art canon
Art Fairs
Art history
art history and its institutions
Art Market
biennale analysis
canon formation in global art institutions
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Chika Okeke Agulu
Claude Cahun
contemporary art
Contemporary Art Canon
Contemporary Art Galleries
Contemporary Art World
Degenerate Art
Differencing the Canon
El Anatsui
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feminist art theory
fibre art scholarship
global art history
Jean Michel Basquiat
Mark Di Suvero
MOCA
museum studies
postcolonial art discourse
Saadiyat Island
Schneemann
Solo Exhibition
Street Art
Tania Bruguera
video art practices
Wall Hangings
Weiwei
Women Artists
Yasumasa Morimura

Product details

  • ISBN 9781138192683
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years.

In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon.

With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today.

This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies.

Ruth E. Iskin is the author of The Poster: Art, Advertising, Design, and Collecting, 1860s-1900s (2014) and Modern Women and Parisian Consumer Culture in Impressionist Painting (2007). Her articles appeared in the Art Bulletin, Discourse, and Nineteenth-Century Art World Wide among others, and in anthologies and museum catalogues, most recently of the Guggenheim, Bilbau. A member of the Department of the Arts faculty, Ben-Gurion University of the Negev until 2014, she currently lectures and teaches in Israel and abroad.