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Re-Making Sound: An Experiential Approach to Sound Studies
Re-Making Sound: An Experiential Approach to Sound Studies
★★★★★
★★★★★
Regular price
€25.30
Regular price
€27.50
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Sale price
€25.30
A01=Justin Patch
A01=Professor Justin Patch
A01=Professor or Dr. Thomas Porcello
A01=Thomas Porcello
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Age Group_Uncategorized
Author_Justin Patch
Author_Professor Justin Patch
Author_Professor or Dr. Thomas Porcello
Author_Thomas Porcello
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Category1=Non-Fiction
Category=AVA
Category=AVX
Category=TTA
COP=United States
Delivery_Delivery within 10-20 working days
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eq_music
eq_non-fiction
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Language_English
PA=Available
Price_€20 to €50
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softlaunch
Product details
- ISBN 9781501354731
- Dimensions: 152 x 229mm
- Publication Date: 24 Feb 2022
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: United States
- Language: English
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Re-Making Sound is concise and flexible primer to sound studies. It takes students through six ways of conceptualizing sound and its links to other social phenomena: soundscapes; noise; sound and semiotics of the voice; sound and/through/in text; background sound/sound design; and sound art. Each chapter summarizes the history and scholarly theoretical underpinnings of these areas and concludes with a student activity that concretizes the historical and theoretical discussion via sound-making projects. With chapters designed to be flexible and non-sequential, the text fits within various course designs, and includes an introduction to key concepts in sound and sound studies, a cumulative concluding chapter with sound accompanying podcast exercise, and an extensive bibliography for students to pursue sound studies beyond the book itself.
Thomas Porcello is Professor of Anthropology at Vassar College, USA. He is co-editor of Wired for Sound: Engineering and Technologies in Sonic Cultures (2005), winner of the 2006 Klaus P. Wachsmann Prize for Critical and Advanced Study in Organology, the Society for Ethnomusicology. Justin Patch is Assistant Professor of Music at Vassar College, USA. He is the author of Discordant Democracy: Audition, Affect and the Presidential Campaign (2018).
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