Re-Reading The Excursion
Regular price
€192.20
A01=Sally Bushell
affective response theory
Author_Sally Bushell
Biographia Literaria
Book III
Category=DSBF
Category=DSC
Childless Father
cottage
dramatic
dramatic composition
dramatic monologue analysis
Dramatic Poem
Dramatic Voice
Draw Back
Egotistical Sublime
Embedded Narrative
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fenwick Notes
literary reception history
Margaret's Tale
mount
Narrative Memory
Pastor's Tales
performative philosophy
Performative Teaching
Peter Bell
poem's philosophy
poet's
poetic subjectivity
poetry
role
Romantic poetry criticism
ruined
Ruined Cottage
rydal
Rydal Mount
Sir George Beaumont
Textual Transposition
wanderer
Wanderer's Narrative
Wordsworth long poem interpretation
wordsworth's
Wordsworth's Concern
Wordsworth's Excursion
Wordsworth's Poetry
Wordsworth's Thanksgiving Ode
Wordsworth's Work
Wordsworthian Poetics
Wordworth's critical writing
Product details
- ISBN 9780754605768
- Weight: 657g
- Dimensions: 156 x 234mm
- Publication Date: 15 Jan 2002
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
Secure
checkout
Fast Shipping
Easy returns
Re-Reading The Excursion: Narrative, Response and the Wordsworthian Dramatic Voice is a groundbreaking study, which transforms contemporary critical understanding of The Excursion and of the place of this long poem in the Wordsworthian canon. Sally Bushell argues that the poem, which has suffered at the hands of critics for most of the twentieth century, has been unfairly judged according to a Coleridgean rather than a Wordsworthian definition of "philosophy"-that it has been read as a didactic work, rather than one which uses its dramatic form to teach its readers to think for themselves. She offers a new reading in which The Excursion is shown to be about providing the readers with moral habits and mental constructs by which to learn, not simply telling them what to think. The book begins with a discussion of the reception of the poem in 1814, considering the responses of Coleridge, Hazlitt, Francis Jeffrey and Charles Lamb. This historicized discussion is then balanced by a reading of the poem at the compositional stage, looking at the emergence from the manuscripts of a Wordsworthian dramatic voice. The author goes on to argue that the poem's philosophy is performative-that is, concerned with the way in which moral ideas can best be communicated, as much as with the ideas themselves. She then shifts her attention to consider how this operates in relation to the reader, considering the importance of context in relation to emotional response. Later, the epitaphic books are reconsidered in the light of Wordworth's critical writing; Bushell argues that the significance of the epitaph for him lies in its values as a poetic form in which the text itself is released from poetic authority. Finally, the author looks back at The Prelude from the perspective of The Excursion and shows how the later poem attempts to value the ordinary, rather than the poetic, mind. The conclusion reached is that Wordsworth is not just the "egotistical" poet of The Prelude, interested largely in the development of his own imaginative powers, but one who goes on to explore the limits of subjectivity and the importance of different kinds of imaginative links between individuals.
Sally Bushell completed her Ph.D. at Queens' College, Cambridge in 1999. She is now lecturer in Romantic Studies and Co-Director of The Wordsworth Centre at Lancaster University. She is also currently co-editing the Cornell edition of The Excursion (forthcoming). This is her first full length critical work.
