Re-scheduling Television in the Digital Era

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A01=Hanne Bruun
Algorithms
audience measurement
Audio Visual Content
Author_Hanne Bruun
Category=JBCT
Category=JBCT2
Category=KNT
Channel Voice
Collaborate Filtering Algorithms
Commercial Messages
cross-platform content
Cultural Political Dimensions
curation
Danish media
Danish television
digital infrastructure
Digital media
digital scheduling strategies
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Genre Approach
humanities media analysis
Linear Channels
Linear Schedule
Linear Television
media convergence
Media Production Studies
multiplatform broadcasting
Multiplatform portfolios
multiplatform scheduling research
News Cast
Niche Channels
non-linear television paradigm
Online Tv
production culture
Production studies
Public Service Companies
Public Service Obligations
Public Service Television
Scheduling
Smart Phone
Sponsorship Announcements
Streaming
Streaming Service
Streaming Services
SVT
Television
Television audiences
television industry
Television Paradigm
Television schedules
Television studies
Television System
Transnational streaming
TV audiences
Tv Industry
TV schedules
TV scheduling
Young Man

Product details

  • ISBN 9781032400891
  • Weight: 320g
  • Dimensions: 138 x 216mm
  • Publication Date: 29 Aug 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book explores how the television industry is adapting its production culture and professional practises of scheduling to an increasingly non-linear television paradigm, a testing ground where different communicative tools are tried out in a volatile industry.

Based on four case studies the book argues that a new television paradigm is being produced from within the multiplatform television organisations themselves in order to adapt to changing viewer habits and the tensions between digital and broadcast television. Drawing on a unique genre and production studies approach that cuts across the humanities and sociology in television studies, chapters cover in-depth studies of:

• The communicative changes to the on-air schedule as a televisual text phenomenon in the digital era, and how the conceptualisations of the audience are changing in scheduling and curation for multiplatform portfolios

• The changing production culture of scheduling in companies for their multiplatform portfolios

• The dilemmas of curation in multiplatform portfolios.

Situated at the intersection of the humanities and sociology in media production studies, this book will be of key interest to scholars and students of television studies, media production studies and cultural studies and to researchers and media professionals and management in the television industry.

Hanne Bruun is a Professor of Media Studies at Aarhus University, Denmark. She is the founder and head of the Centre for Media Industries and Production Studies; the author of four books, including Dansk tv-satire. Underholdning med kant; and the co-editor of four books. She has contributed to several books, e.g. Advancing Media Production Studies eds. Paterson, C. et al., and journals, e.g. Nordic Journal of Media Studies (2019), Critical Studies in Television, Nordicom Review, the European Journal of Communication and Media, Culture & Society.

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