Reactions to the Master

Regular price €62.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Accademia Del Disegno
Alessandro Allori
Alessandro Vittoria
Andrea Del Sarto
Anne Varick Lauder
art historical methodology
artistic influence analysis
Bartolommeo Ammanati
Black Chalk
Cappella Paolina
Casa Buonarroti
Category=AB
Chigi Chapel
Christ Child
David Ekserdjian
Doni Tondo
draughtsmanship studies
Elizabeth Pilliod
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Francesco Salviati
Italian Renaissance painting
Jacopo Pontormo
Lizzie Boubli
mannerist artists
Marcello Venusti
Medici Chapel
Michelangelo's Drawing
Michelangelo's Influence
Michelangelo's Work
Paul Joannides
Perino Del Vaga
Raphael Rosenberg
Red Chalk
Rick Scorza
Santa Maria Del Popolo
Santa Maria Della Pace
Sebastiano Del Piombo
Sistine Ceiling
sixteenth-century Italian art theory
sixteenth-century sculpture
Victoria Avery
William ?. Wallace
Young Man

Product details

  • ISBN 9781138277366
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

The immense effect that Michelangelo had on many artists working in the sixteenth century is widely acknowledged by historians of Italian Renaissance art. Yet until recently greater stress has been placed on the individuality of these artists' styles and interpretation rather than on the elucidation of their debts to others. There has been little direct focus on the ways in which later sixteenth-century artists actually confronted Michelangelo, or how those areas or aspects of their artistic production that are most closely related to his reveal their attitudes and responses to Michelangelo's work. Reactions to the Master presents the first coherent study of the influence exerted by Michelangelo's work in painting and sculpture on artists of the late-Renaissance period including Alessandro Allori, Agnolo Bronzino, Battista Franco, Francesco Parmigianino, Jacopo Pontormo, Francesco Salviati, Raphael, Giorgio Vasari, Marcello Venusti, and Alessandro Vittoria. The essays focus on the direct relations, such as copies and borrowings, previously underrated by art historians, but which here form significant keys to understanding the aesthetic attitudes and broader issues of theory advanced at the time.

Francis Ames-Lewis, University of London, UK.

Paul Joannides, University of Cambridge.