Reading and Writing a Screenplay

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Isabelle Raynauld
advanced screenplay analysis methods
Amores Perros
audiovisual storytelling
Author_Isabelle Raynauld
Bourne Identity
British Film Institute's Collection
British Film Institute’s Collection
Category=ATFD
Category=CBV
Category=DSG
characters
cinematic text interpretation
creative writing
Dallas Buyer's Club
Dallas Buyer’s Club
Documentary Film Proposal
documentary script techniques
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ernst Lubitsch
film narrative analysis
Fort McMoney
Future Film
Hiroshima Mon Amour
Jacques Le Fataliste
Le Fabuleux Destin
Main Character
Male Voice
media production pedagogy
narrative perspective studies
Pan's Labyrinth
Pan’s Labyrinth
PARIS
Quebec Student Strike
reading
Scene Descriptions
Scene Directions
screenplay
Screenplay Reader
screenwriting
Screenwriting Books
Screenwriting Practices
Screenwriting Process
script
scriptwriting
structure
Water Falling
writing
Writing Sound
Young Man

Product details

  • ISBN 9781138476752
  • Weight: 620g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Apr 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Reading and Writing a Screenplay takes you on a journey through the many possible ways of writing, reading and imagining fiction and documentary projects for cinema, television and new media. It explores the critical role of a script as a document to be written and read with both future readers and the future film it will be giving life to in mind.

The book explores the screenplay and the screenwriting process by approaching the film script in three different ways: how it is written, how it is read and how it can be rewritten. Combining contemporary screenwriting practices with historical and academic context, Isabelle Raynauld provides key analytical tools and reading strategies for conceptualizing and scripting projects based on the impact different writing styles can have on readers, with various examples ranging from early cinema to new media and new platforms throughout.

This title offers an alternative, thought-provoking and inspiring approach to reading and writing a screenplay that is ideal for directors, producers, actors, students, aspiring screenwriters and readers interested in understanding how an effective screenplay is created.

Isabelle Raynauld, PhD, is an award-winning screenwriter and director of fiction and documentary films. She is also Professor in Cinema at the University of Montreal, Canada, and Fellow at the Open Documentary Lab at the Massachusetts Institute of Technology. She recently directed her first VR film Poetry in Motion and is currently in production with her feature documentary Music and the Brain, produced by Oscar-winning company Bunbury Films, in Montreal.

More from this author