Reading Contemporary Black British and African American Women Writers

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Adichie
Adichie's Americanah
Adichie’s Americanah
african american literature
African American Women Writers
Ali Smith
american literature
Americanah
Andrea Levy
authority
Bird
Black British
Black British Women Writers
Black British Writers
Black feminist criticism
Black Women Writers
black women's literature
Boy
british literature
British Multiculturalism
Buchi Emecheta
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Chimamanda Ngozi Adichie
Chinua Achebe
citizenship
Cognitive Improvement
contemporary black women writers
contemporary british literature
contemporary literature
cultural studies
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ethical effects of narrative form
ethical studies
ethical thinking
False Positions
fiction
formal narrative techniques
gender
Girl Meets Boy
Gloria Naylor
Golden Gray
Helen Oyeyemi
humor
humour
identity
Jamaica Kincaid
Jazz and Home
Jesmyn Ward
Joe Trace
Jumping Monkey Hill
literary ethics research
Mama Day
Maternal Ethic
maternity
metafiction
Mid Air
modern british literature
modern literature
Morrison's Jazz
Morrison’s Jazz
narrative
Narrative Humor
narrative theory
narratology in literature
Pop Star
race
Racial Symbolic
Revenge
Salvage The Bones
See Now Then
Shame
Silent Racism
Sing
small island
Snow
structural racism
structural racism analysis
Survival
Swing Time
Toni Morrison
Traditional Igbo
transatlantic literary studies
Trumpet
Unburied
vulnerability
White Teeth
women of color
Young Man
Zadie Smith

Product details

  • ISBN 9781032238708
  • Weight: 403g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Contemporary African American and Black British Women Writers: Narrative, Race, Ethics brings together British and American scholars to explore how, in texts by contemporary black women writers in the U. S. and Britain, formal narrative techniques express new understandings of race or stimulate ethical thinking about race in a reader. Taken together, the essays also demonstrate that black women writers from both sides of the Atlantic borrow formal structures and literary techniques from one another to describe the workings of structural racism in the daily lives of black subjects and to provoke readers to think anew about race. Narratology has only recently begun to use race as a category of narrative theory. This collection seeks both to show the ethical effects of narrative form on individual readers and to foster reconceptualizations of narrative theory that account for the workings of race within literature and culture.

Jean Wyatt is a Professor of English at Occidental College, USA.

Sheldon George is a Professor of English at Simmons University, USA.