Reading Contemporary Serial Television Universes

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Andrew Beveridge
audience and fan research
Captain Marvel
Category=JBCC1
Category=JBCT2
Category=KNT
character evolution theory
Common Language
Country Music
Cult Tv
cultural studies
Deep Space
Derek Johnson
Eigenvector Centrality
elementary
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fandom
Fernando Canet
game of thrones
gomorrah
Guglielmo Pescatore
Hector J. Perez
Heidi Philipsen
Ilaria A. De Pascalis
La Serie
Main Characters
Marta Boni
Marvel Cinematic Universe
Matt Hills
Matthew Freeman
media ecosystems
Media Franchise
media industries
media studies
Michael Chemers
narrative
Narrative Ecosystem
Narrative Ecosystems
narratology
new media
Nordic Noir
Parent Series
Paul Booth
pop culture
Post Network Era
Quality Tv
Red Nose Day
Roberta Pearson
Romanzo Criminale
Sarah Lund
seriality studies
sherlock
Star Trek
television franchise
television narrative analysis
Television Series
television studies
television world building frameworks
transmedia
transmedia storytelling
Tv Industry
Tv Series
Tv Show
Vast Narrative
vast narratives
Veronica Innocenti
Vice Versa
world building

Product details

  • ISBN 9781138071391
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Jun 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Reading Contemporary Serial Television Universes provides a new framework—the metaphor of the narrative ecosystem—for the analysis of serial television narratives. Contributors use this metaphor to address the ever-expanding and evolving structure of narratives far beyond their usual spatial and temporal borders, in general and in reference to specific series. Other scholarly approaches consider each narrative as composed of modular elements, which combine to create a bigger picture. The narrative ecosystem approach, on the other hand, argues that each portion of the narrative world contains all of the main elements that characterize the world as a whole, such as narrative tensions, production structures, creative dynamics and functions. The volume details the implications of the narrative ecosystem for narrative theory and the study of seriality, audiences and fandoms, production, and the analysis of the products themselves.

Paola Brembilla is a Adjunct Professor in Television and Media Studies at Università degli Studi di Padova, Italy

Ilaria A. De Pascalis is Assistant Professor in Film and Television Studies at Università degli Studi Roma Tre, Italy.