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Reading Cy Twombly
Reading Cy Twombly
★★★★★
★★★★★
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€51.99
Regular price
€52.99
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€51.99
A01=Mary Jacobus
Abstract art
Abstract expressionism
Aestheticism
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Allegory
Allusion
Art critic
Art criticism
Artifice
Author_Mary Jacobus
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Black Mountain College
Calligraphy
Category1=Non-Fiction
Category=ACXJ
Category=AFC
Category=AGA
Category=AGB
Catullus
Charles Olson
Collage
COP=United States
Courtesy
Crayon
Cy Twombly
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Dionysus
Eclogue
Ekphrasis
Epigraph (literature)
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Eroticism
Evocation
Ezra Pound
Genre
Georgics
Illustration
Imagery
Impasto
Italian Journey
Jasper Johns
Kurt Schwitters
Language_English
Letter of resignation
Literary criticism
Literature
Lyric poetry
Manifesto
Menil Collection
Michelangelo
Mise en abyme
Modernism
Modernity
Muse
Mutability (poem)
Narcissism
Narrative
Octavio Paz
Oil paint
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Painting
Peony
Poetry
Poliziano
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Private collection
Prose
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Psychoanalysis
Rainer Maria Rilke
Robert Rauschenberg
Roland Barthes
Seascape
Shorthand
softlaunch
Sonnets to Orpheus
Subjectivity
Subtext
The Philosopher
Theocritus
Theory of Colours
Thyrsis (poem)
Transliteration
William Shakespeare
Work of art
Writing
Product details
- ISBN 9780691170725
- Weight: 1162g
- Dimensions: 178 x 254mm
- Publication Date: 16 Aug 2016
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
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Many of Cy Twombly's paintings and drawings include handwritten words and phrases--naming or quoting poets ranging from Sappho, Homer, and Virgil to Mallarme, Rilke, and Cavafy. Enigmatic and sometimes hard to decipher, these inscriptions are a distinctive feature of his work. Reading Cy Twombly poses both literary and art historical questions. How does poetic reference in largely abstract works affect their interpretation? Reading Cy Twombly is the first book to focus specifically on the artist's use of poetry. Twombly's library formed an extension of his studio and he sometimes painted with a book open in front of him. Drawing on original research in an archive that includes his paint-stained and annotated books, Mary Jacobus's account--richly illustrated with more than 125 color and black-and-white images--unlocks an important aspect of Twombly's practice. Jacobus shows that poetry was an indispensable source of reference throughout Twombly's career; as he said, he "never really separated painting and literature."
Among much else, she explores the influence of Ezra Pound and Charles Olson; Twombly's fondness for Greek pastoral poetry and Virgil's Eclogues; the inspiration of the Iliad and Ovid's Metamorphoses; and Twombly's love of Keats and his collaboration with Octavio Paz. Twombly's art reveals both his distinctive relationship to poetry and his use of quotation to solve formal problems. A modern painter, he belongs in a critical tradition that goes back, by way of Roland Barthes, to Baudelaire. Reading Cy Twombly opens up fascinating new readings of some of the most important paintings and drawings of the twentieth century.
Mary Jacobus is professor emerita of English at the University of Cambridge and Cornell University, and an Honorary Fellow of Lady Margaret Hall, University of Oxford. She has written widely on visual art, Romanticism, feminism, and psychoanalysis. Her recent books include The Poetics of Psychoanalysis and Romantic Things. She lives in Ithaca, New York, and Cambridge, UK.
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