Reading Dante Gabriel Rossetti

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aestheticism in literature
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archive
Astarte Syriaca
Author_Brian Donnelly
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Ben Son
Blessed Damozel
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Category=AGA
Category=DS
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Ecce Ancilla Domini
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faith and sexuality discourse
Fallen Woman
gender representation
Goblin Fruit
Goblin Men
intertextual analysis
Introductory Sonnet
Lady Audley
Lady Lilith
Language_English
Mary's Girlhood
Mary's Portrait
marys
Mary’s Portrait
material culture studies
Michael Henchard
Mixen Lane
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painting
portrait
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representations
Rossetti's Painting
Rossetti's Poem
Rossetti's Poetry
Rossetti's Representations
Rossetti's Sonnet
Rossetti's Work
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Rossetti’s Sonnet
Rossetti’s Work
Sibylla Palmifera
softlaunch
sonnet
Suicide Narrative
Victorian poetry and painting interpretation
Victorian visual culture
Vita Nuova
work
Young Man

Product details

  • ISBN 9780367880866
  • Weight: 410g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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A revolutionary figure throughout his career, Dante Gabriel Rossetti’s work provides a distinctly revolutionary lens through which the Victorian period can be viewed. Suggesting that Rossetti’s work should be approached through his poetry, Brian Donnelly argues that it is both inscribed by and inscribes the development of verbal as well as visual culture in the Victorian era. In his discussions of modernity, aestheticism, and material culture, he identifies Rossetti as a central figure who helped define the terms through which we approach the cultural productions of this period. Donnelly begins by articulating a method for reading Rossetti’s poetry that highlights the intertextual relations within and between the poetry and paintings. His interpretations of such poems as the 'Mary’s Girlhood' sonnets, the sonnet sequence The House of Life, and 'The Orchard-Pit' in relationship to paintings such as The Girlhood of Mary Virgin and Ecce Ancilla Domini! shed light on Victorian ideals of femininity, on consumer culture, and on the role of gender hierarchies in Victorian culture. Situating Rossetti’s poetry as the key to all of his work, Donnelly also makes a case for its centrality in its representation of the dominant discourses of the late Victorian period: faith, sex, consumption, death, and the nature of representation itself.

Brian Donnelly is a Lecturer in English at the University of California, Santa Barbara, USA.

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