Reading Modernity, Modernism and Religion Today

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A01=Patrick Grant
anomie theory
art and social fragmentation
Author_Patrick Grant
Category=AB
Category=AGA
Category=DSB
Enlightenment critique
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
philosophical anthropology
postmodern identity
religious sensibility
secularization studies

Product details

  • ISBN 9781032902722
  • Weight: 200g
  • Dimensions: 138 x 216mm
  • Publication Date: 21 May 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Feelings of rootlessness, fragmentation and loneliness are endemic in today’s secular societies. In the late nineteenth century, Émile Durkheim described this kind of social malaise as anomie, a concept this book locates within a historical narrative of the emergence of Modernism from Modernity. The book focuses on two representative figures, Benedictus de Spinoza and Vincent van Gogh, on whose works it offers significant new perspectives. Spinoza drew up a blueprint for Modernity, which is to say, the cultural transformations that took place as a result of the Scientific Revolution and the Protestant Reformation. In counterpoint to his overriding confidence in reason, a persistent current in Spinoza’s writing shows how concerned he was about a possible loss of confidence in his governing idea of a single Substance, the philosophical God, with which he sought to replace the creator God of the Bible. In promoting art as a means of filling the gap left by the absence of Spinoza’s philosophical God and the failures of traditional Christianity, Van Gogh also discovered the limitations of the vocation to which he had dedicated himself. He concluded that in the tension between art and anomie, a new kind of religious sensibility and understanding might emerge. This remains the case in the current postmodern cultural phase when fragmentation and incoherence are summoning up new assessments and re-configurations of values promoting new forms of solidarity, dialogue and religious understanding.

Patrick Grant is Professor Emeritus at the University of Victoria, British Columbia, Canada. He has published widely on relationships amongst literature, religion and secularism. He has a special interest in literature of the English Renaissance, literary theory, and the literature and culture of modern Northern Ireland. He has published a series of books on the letters of Vincent van Gogh.

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