Reading Portrait Photographs in Proust, Kafka and Woolf

Regular price €107.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Marit Grotta
Age Group_Uncategorized
Age Group_Uncategorized
Author_Marit Grotta
automatic-update
Category1=Non-Fiction
Category=AC
Category=AGA
Category=AJ
Category=DS
Category=DSA
Category=DSBH
Category=DSM
COP=United Kingdom
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Franz Kafka
history of photography
Language_English
Marcel Proust
modernist literature
PA=Temporarily unavailable
Price_€50 to €100
PS=Active
softlaunch
Virginia Woolf
visual studies

Product details

  • ISBN 9781399526982
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Mar 2024
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
Portrait photography increased in popularity during the modernist period and offered new ways of seeing and understanding the human face. This book examines how portrait photographs appeared as literary motifs in the works of three modernist writers with personal experience of the medium: Marcel Proust, Franz Kafka and Virginia Woolf. Combining perspectives from literary, visual and media studies, Marit Grotta discusses these writers' ambivalent views on portrait photographs and the uncertain status of technical images in the early twentieth century more generally. In reconsidering the attention paid to analogue photographs in literature, this book throws light on both modernist reactions to portrait photography and on our relationships to photographs today.
Marit Grøtta is Professor of Comparative Literature at the University of Oslo, Norway. She is the author of Baudelaire's Media Aesthetics: The Gaze of the Flâneur and Nineteenth-Century Media (Bloomsbury Academic, 2015) and a number of articles on Schlegel, Baudelaire, Proust, Kafka, Woolf, Queneau and Agamben. Her research interests are nineteenth-century and modernist literature, visual culture, media philosophy and aesthetic theory.

More from this author