Reading Smile

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1960s social critique
A01=Dale Carter
American identity
American studies
analysis of Van Dyke Parks lyrics
Ash Grove
Author_Dale Carter
Beach Boys Albums
Blue Hawaii
Capitol Building
Captain Beefheart
Category=AVLP
Category=JBCC
Category=JBCC1
Chinese Contract Labourers
counterculture analysis
cultural history
Electric Kool Aid Acid Test
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Fireman
Front Era
Great American Desert
Great Chicago Fire
Great Divides
Iron Horse
Mike Love
Monterey Pop Festival
Musical milestone
myth and national identity
Nuclear Disarmament
Pet Sounds
Plymouth rock
Pop Star
popular music scholarship
Pump House Gang
Sarah Winnemucca
Sergeant Pepper's Lonely Hearts
Sergeant Pepper’s Lonely Hearts
Smile's first movement
Sunset Strip
Trajectory Start
Wind Chimes
Young Men

Product details

  • ISBN 9780367622879
  • Weight: 260g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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First conceived in 1966 but only completed in 2004, Brian Wilson Presents Smile has been called "the best-known unreleased album in pop music history" and "an American Sergeant Pepper." Reading Smile offers a close analysis of the recording in its social, cultural and historical contexts.

It focuses in particular on the finished work’s subject matter as embodied in Van Dyke Parks’ contentious yet little understood lyrics, with their low-resolution, highly allusive portrayals of western expansion’s archetypes, from Plymouth Rock, Massachusetts to Diamond Head, Hawaii. Documenting their multiple references and connotations, it argues that their invocations of national self-definition are part of a carefully crafted vision of American identity, society and culture both in tune and at odds with the times. Critical of the republic’s past practices but convinced that its ideals, values and myths still provided resources to redeem it, the recording is interpreted as a creative musical milestone, an enduring product of its volatile, radical, countercultural times, and an American pop art classic.

Of particular relevance to American Studies and popular culture scholars, Reading Smile will also appeal to those interested in 1960s popular music, not least to fans of Brian Wilson, Van Dyke Parks and the Beach Boys.

Dale Carter is Associate Professor of American Studies at Aarhus University, Denmark, and Director of the university’s American Studies Center. Carter is the author or editor of a number of books and scholarly articles on aspects of 20th century American history, society and culture.These include The Final Frontier: The Rise and Fall of the American Rocket State (1987) and (as editor) War and Cold War in American Foreign Policy, 1942-62 (2002). Academic journals that have published his work include Popular Music and Society, Popular Music History, Rock History, Popular Music, American Studies in Scandinavia, the Canadian Review of American Studies and the European Journal of American Culture.

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