Readying Cavalli's Operas for the Stage

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Accademia Degli Incogniti
Act III
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Anna Tedesco
Apollonius Rhodius
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B01=Ellen Rosand
Barbara Nestola
Beth L. Glixon
Biblioteca Marciana
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Cavalli opera production scholarship
Cavalli Operas
Cavalli's Giasone
Cavalli’s Giasone
Christine Jeanneret
Continuo Players
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Davide Daolmi
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Dinko Fabris
early baroque theatre
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Ercole Amante
Fausta Antonucci
Febi Armonici
Ferdinand Iii
Giacinto Andrea Cicognini
Golden Fleece
Grand Duke Ferdinando II
Hendrik Schulze
Jane Glover
Jason Story
Jennifer Williams Brown
Jonathan Glixon
Joseph Salem
La Didone
Language_English
Lawrence Manley
Lope De Vega
Lope's Text
Lope’s Text
Lorenzo Bianconi
manuscript score analysis
Michael Klaper
music editing techniques
Nicola Badolato
Nicola Michelassi
opera source studies
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performance practice research
Price_€100 and above
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RF Score
Seventeenth Century Venetian Opera
seventeenth-century musicology
softlaunch
Spanish Golden Age Drama
Thomas Lin
Venetian Libretto
Venetian Operas
Venetian Premiere
Wendy Heller
Young Man

Product details

  • ISBN 9781409412182
  • Weight: 775g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Jul 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. The coincidence of productions at La Scala (Milan) and Covent Garden (London) in the same month (September 2008) of two different operas signals a new stage in the recovery of these extraordinary works, confined until now to special venues committed to 'early music'-opera festivals, conservatory, and university productions. The works of the composer who is credited with having invented the genre of opera as we know it are finally enjoying a renaissance. A new edition of Cavalli's twenty-eight operas is in preparation, and the composer and his works are at the center of a great deal of new scholarship ranging from the study of sources and production issues to the cultural context of opera of this period.

In the face of such burgeoning interest, this collection of essays considers the Cavalli revival from various points of view. In particular, it explores the multiple issues involved in the transformation of an operatic manuscript into a performance. Although focused on the works of Cavalli, much of this material can transfer easily to other operatic repertoires.

Following an introductory part, reflecting back on four decades of Cavalli performances by some of the conductors responsible for the revival of interest in the composer, the collection is divided into four further parts: The Manuscript Scores, Giasone: Production and Interpretation, Making Librettos, and Cavalli Beyond Venice.

Ellen Rosand, George A. Saden Professor of Music at Yale University, is the author of Opera in Seventeenth-Century Venice: the Creation of a Genre (1991) and Monteverdi’s Last Operas: A Venetian Trilogy (2007). She is the general editor of the new Baerenreiter edition of the operas of Francesco Cavalli, a composer with whom she has been associated since her Ph.D. dissertation days.