Real and Imaginary Spaces in Tom Stoppard’s Plays

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A01=Nevin Gurbuz-Blaich
Author_Nevin Gurbuz-Blaich
Category=DDC
Category=DSG
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_poetry
Tom Stoppard

Product details

  • ISBN 9783111572758
  • Weight: 460g
  • Dimensions: 155 x 230mm
  • Publication Date: 02 Jun 2025
  • Publisher: De Gruyter
  • Publication City/Country: DE
  • Product Form: Hardback
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This study benefits from the terminology of geocriticism – a literary criticism that suggests an interdisciplinary approach to the exploration of literature in relation to space and place, and refers to the spatial theories of Lefebvre, Foucault, Bakhtin, Augé, and Certeau as well as to Issacharoff’s study of ‘dramatic space’. Proposing a multidisciplinary perspective, the book analyzes the mimetic and diegetic spaces in four of Tom Stoppard’s plays; Rosencrantz and Guildenstern Are Dead (1966), Travesties (1974), Arcadia (1993), and Indian Ink (1995). Stoppard’s plays from the 1960s to the 2000s portray different spaces including urban spaces, cities, landscapes, rooms, and fictional sites, thus serving as exceptional textual sources in spatial literary studies.

Nevin Gürbüz-Blaich, Heidelberg University.

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