Reaping Something New

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A01=Daniel Hack
African Americans
African-American literature
Afterword
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Age Group_Uncategorized
Alfred
Allegory
Allusion
Author_Daniel Hack
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Bildungsroman
Bleak House
British literature
Category1=Non-Fiction
Category=DSBF
Category=DSBH
Category=JBSL
Category=JFSL3
Charles Dickens
Charles W. Chesnutt
Close reading
Colored
COP=United States
Cosmopolitanism
Criticism
Daniel Deronda
Dante Gabriel Rossetti
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Elizabeth Barrett Browning
Epigraph (literature)
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eq_biography-true-stories
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eq_nobargain
eq_non-fiction
eq_society-politics
Fiction
George Eliot
Hannah Crafts
Harriet Beecher Stowe
Henry Louis Gates Jr.
Henry Wadsworth Longfellow
Intertextuality
Iola Leroy
Irony
Jessie Redmon Fauset
John Greenleaf Whittier
Language_English
Literary criticism
Literature
Locksley Hall
Lord Tennyson
Mr.
Mrs.
Mulatto
Narrative
Newspaper
Novel
Novelist
Of One Blood (novel)
PA=Available
Parody
Paul Laurence Dunbar
Pauline Hopkins
Phillis Wheatley
Plagiarism
Poet laureate
Poetry
Price_€20 to €50
Print culture
PS=Active
Pseudonym
Publication
Racial equality
Racism
Slavery
softlaunch
Stanza
The Blessed Damozel
The Bondwoman's Narrative
The Mill on the Floss
The Other Hand
The Souls of Black Folk
The Spanish Gypsy
The Wife of His Youth
Thomas Carlyle
Tragic mulatto
Victorian era
Victorian literature
W. E. B. Du Bois
William Wells Brown
Writer
Writing

Product details

  • ISBN 9780691196930
  • Dimensions: 156 x 235mm
  • Publication Date: 12 Nov 2019
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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How African American writers used Victorian literature to create a literature of their own

Tackling fraught but fascinating issues of cultural borrowing and appropriation, this groundbreaking book reveals that Victorian literature was put to use in African American literature and print culture in the nineteenth and early twentieth centuries in much more intricate, sustained, and imaginative ways than previously suspected. From reprinting and reframing "The Charge of the Light Brigade" in an antislavery newspaper to reimagining David Copperfield and Jane Eyre as mixed-race youths in the antebellum South, writers and editors transposed and transformed works by the leading British writers of the day to depict the lives of African Americans and advance their causes. Central figures in African American literary and intellectual history—including Frederick Douglass, Frances Ellen Watkins Harper, Charles Chesnutt, Pauline Hopkins, and W.E.B. Du Bois—leveraged Victorian literature and this history of engagement itself to claim a distinctive voice and construct their own literary tradition.

In bringing these transatlantic transfigurations to light, this book also provides strikingly new perspectives on both canonical and little-read works by Charles Dickens, George Eliot, Tennyson, and other Victorian authors. The recovery of these works' African American afterlives illuminates their formal practices and ideological commitments, and forces a reassessment of their cultural impact and political potential. Bridging the gap between African American and Victorian literary studies, Reaping Something New changes our understanding of both fields and rewrites an important chapter of literary history.

Daniel Hack is professor of English at the University of Michigan. He is the author of The Material Interests of the Victorian Novel.

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