A01=Mark Delaere
A01=Pieter Berge
Author_Mark Delaere
Author_Pieter Berge
Category=AVA
Category=AVLA
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eq_bestseller
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Product details
- ISBN 9789058676504
- Weight: 907g
- Dimensions: 152 x 229mm
- Publication Date: 15 Mar 2008
- Publisher: Leuven University Press
- Publication City/Country: BE
- Product Form: Hardback
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After a distinguished career of more than 35 years, Ignace Bossuyt retired as professor at the Musicology Department of the University of Leuven on October 1st 2007. As an internationally recognised leader in the field of later-16th-century music, Bossuyt consolidated the department’s reputation as a centre of excellence in renaissance music studies. Articles in this volume deal with music from the period on which the dedicatee focussed his own research. Subjects discussed include newly discovered music by Philippe de Monte and Heinrich Isaac, humour in the motets of Orlando di Lasso, the beginnings of music history, compositional procedures in renaissance music, and Tinctoris’s art of listening. A wide range of methodological perspectives is offered, including historiography, reception studies, source studies, music analysis, music theory, style studies, and aesthetics of music. The publication is both a Festschrift in which distinguished specialists honour an outstanding colleague, and a Liber Amicorum compiled for a dear friend.
Mark Delaere is emeritus gewoon hoogleraar Musicologie aan de KU Leuven. Hij is oprichter van het Festival 20-21 en van het centrum voor nieuwe muziek MATRIX. De muziek van de Weense School – Arnold Schönberg, Alban Berg, Anton Webern – ligt hem nauw aan het hart. In 2020 stelde hij 'Een kleine muziekgeschiedenis van hier en nu' samen, een toegankelijk boek over de Westerse klassieke muziek sinds 1950.
Mark Delaere is professor emeritus of Musicology at KU Leuven. His research covers mainly music from the 20th and 21st centuries, with a special focus on the interaction of analysis, history, theory and aesthetics of music.
Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond.
Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.
