Recollecting Dante's Divine Comedy in the Novels of Mark Helprin

Regular price €107.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Barry Craig
A01=Sara MacDonald
Age Group_Uncategorized
Age Group_Uncategorized
Author_Barry Craig
Author_Sara MacDonald
automatic-update
Category1=Non-Fiction
Category=DSBB
Category=HBLL
Category=NH
Comparative literature
Contemporary authors
COP=United States
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€50 to €100
PS=Active
softlaunch

Product details

  • ISBN 9780739181966
  • Weight: 386g
  • Dimensions: 162 x 236mm
  • Publication Date: 12 Nov 2014
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

This book studies several of Mark Helprin’s novels in terms of their relation to Dante’s Divine Comedy. The authors demonstrate that A Soldier of the Great War, In Sunlight and in Shadow, and Winter’s Tale substantially correspond to, respectively, Dante’s Inferno, Purgatorio, and Paradiso. The author himself has acknowledged his debt to Dante and references to the Comedy appear throughout his works. It is not that Helprin’s novels track their Dantean antecedents slavishly, or even follow the structure of the Canticles explicitly. Rather, the central arguments of Dante’s three works are taken up by Helprin in his novels. In adopting Dante’s essentially Platonic doctrine of mediation, Helprin’s characters are fully instantiated human beings who also mediate and reveal the divine.

In his engagement with Dante, Helprin affirms the core philosophical, theological and psychological arguments of the Comedy, and then modifies those arguments in a distinctly modern way. Specifically, Helprin focuses on human freedom as the necessary precondition for justice to exist, both for individuals and for societies. In the final chapter of the book, the authors turn to Helprin’s Freddy and Fredericka. In this novel, Helprin both assumes Dante’s argument, and then radically alters it, by pointing to the possibility of a just regime on earth, rather than one that exists merely in heaven. While accepting much of Dante’s metaphysical argument, Helprin shows the virtues of liberal democracy as that form of political regime that is most able to unite human eros with eternal principles. In the end, Helprin’s novels are remarkable for the way in which they advocate for ancient virtues, while insisting upon the distinctly modern liberal account of human freedom as the necessary foundation for human flourishing.

Sara MacDonald is professor and director of the Great Books Program at St. Thomas University.

Barry Craig is professor and academic vice-president at St. Thomas University.

More from this author